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Wednesday 12-6pm
Thursday, 12-6pm
Friday, 12-6pm
Saturday, 12-6pm
Sunday, 12-6pm



Andrea Spreafico
Poor Dictionary (from Distance to Rage)


Cato Løland
Chests
Paris Internationale


Past Projects  
— 2022


Marco Bruzzone
GLUB CLUB (An Underwater Turmoil)



Lera Sxemka
Artists in Residency
 


Nastya Feschuk
Artist in Residency
 


Tuda Muda,
Sigrún Hlín Sigurðardóttir,
Unn Devik
Artists in Residency



Ivana Králíková
Future City Earth Systems
Artists in Residency


T-Yard Writers Residency
︎ www.t-yard.com


Karoline Hjorth & Riitta Ikonen
Eyes as Big as Plates


Entrée Cinema
Lasse Årikstad
Bergen Filmklubb


Pamflett & BABF
Bergen Art Book Library


Magnhild Øen Nordahl
Oppløyste abstraksjonar



Past Exhibitions
— 2021


SIGLA BINDA
- a group exhibition



Entrée Cinema
Calderón & Piñeros
Paul Tunge &
Egil Håskjold Larsen
Cinemateket i Bergen



Kåre Aleksander Grundvåg
Grunnarbeid



B3IG3
REACTION VIDEOS
Dan Brown Brønlund
Magnus Håland Sunde
Linda Morell



Lisa Seebach
I’d Rather Be Rehearsing the Future



Entrée Cinema:
Ina Porselius
Bergen Filmklubb



Ann Iren Buan
Falm varsomt, hold om oss



Sjur Eide Aas
At Hermit Street Metro Entrance



Entrée Cinema:
Esteban Rivera,
Marthe Thorshaug
Cinemateket Bergen



Karin Blomgren
Summen av alle krefter


Entrée Cinema: 
Jon Rafman,
Claudia Maté
at Bergen Filmklubb


Past Exhibitions
— 2020



Lin Wang
Exotic Dreams Tattoo Shop



Unfolding Questions, Codes,
and Contours

at Tromsø Kunstforening


Ida Wieth
wander / wonder



Lilian Nabulime, Bathsheba Okwenje,
Miriam Watsemba, Maria Brinch.
My Mother Is Forgetting My Face.
Curated by Martha Kazungu



Ian Giles
After BUTT
at Kunstnerforbundet


Oliver Ressler
Carbon and Captivity


Sara Wolfert
Head Channel & Lion 
- Waking of the Sleeping Lion Ear



Entrée Cinema
Kjersti Vetterstad
A Beehive in My Heart
at Cinemateket Bergen


Halldis Rønning
Watermusic



Past Exhibitions
— 2019



Kristin Austreid
Et underlig redskap

Bergen Assembly
Actually, the Dead Are Not Dead

Anne de Boer, Eloïse Bonneviot
the Mycological Twist

Kamilla Langeland
Stories of the Mind
(Transitioning Into Uncertainty)


Maria Brinch
INYA LAKE

— at Kunstnernes Hus


Bathsheba Okwenje
Freedom of Movement
at  Kunstnernes Hus

Lina Viste Grønli
Nye skulpturer


Toril Johannessen
SKOGSAKEN (The Forest Case)

Marysia Lewandowska
It’s About Time

(in Venice Biennial)

Films by
Mai Hofstad Gunnes


Isme Film
Collectively Conscious Remembrance


Trond Lossius
Jeremy Welsh
The Atmospherics
River deep, mountain high



Exhibitions 
— 2018



Marjolijn Dijkman
Toril Johannessen
Reclaiming Vision

Damir Avdagic
Reenactment/Process
Reprise/Response


Eivind Egeland
Father of Evil

Marysia Lewandowska
Rehearsing the Museum


Anton Vidokle
Immortality for All: a film trilogy on
Russian Cosmism

Curated by
Ingrid Haug Erstad

Johanna Billing
Pulheim Jam Session,
I’m Gonna Live Anyhow Until I die,
I’m Lost Without Your Rhythm,
This is How We Walk on the Moon,
Magical World


Jenine Marsh
Kneading Wheel, 
Coins and Tokens

Jenine Marsh
Sofia Eliasson
Lasse Årikstad
Johanna Lettmayer
Lewis & Taggar
Jon Benjamin Tallerås
Orientering 
—  a group show in public space


Jon Rafman
Dream Journal
2016-2017


Goutam Ghosh &
Jason Havneraas
PAARA

Ian Giles
After BUTT

Films by Yafei Qi
Wearing The Fog, 
I Wonder Why, 
Life Tells Lies

Exhibitions
— 2017

Daniel Gustav Cramer
Five Days

Kamilla Langeland
Sjur Eide Aas
The Thinker, Flower Pot and Mush

Danilo Correale
Equivalent Unit
Reverie: On the Liberation from Work


Valentin Manz
Useful Junk

Jeannine Han
Dan Riley
Time Flies When Slipping
Counter-Clockwise


Pedro Gómez-Egaña
Pleasure

Ane Graff
Mattering Waves


Andrew Amorim
Lest We Perish

Tom S. Kosmo
Unnatural Selection

Jenine Marsh
Lindsay Lawson

Dear Stranger


Exhibitions
— 2016


ALBUM
Eline Mugaas
Elise Storsveen
How to Feel Like a Woman

DKUK (Daniel Kelly)
Presents: Jóhanna Ellen
Digital Retreat Dot Com

Cato Løland
Folded Lines, Battles and Events

Harald Beharie
Louis Schou-Hansen
(S)kjønn safari 2.0

Lynda Benglis
On Screen
Bergen Assembly

Linn Pedersen
Bjørn Mortensen
Terence Koh
NADA New York

Ida Nissen
Kamilla Langeland
Marthe Elise Stramrud
Christian Tunge
Eivind Egeland
Fading Forms

Anders Holen
Stimulus

Sinta Werner
Vanishing Lines

Exhibitions
— 2015


Bjørn Mortensen
Pouches and Pockets
/ Compositories in Color


Linn Pedersen
Plain Air

Øystein Klakegg
Entrée # 55

Leander Djønne
Petroglyphs of the Indebted Man

Lewis & Taggart
Black Holes and other painted objects


Azar Alsharif
Bjørn Mortensen
Steinar Haga Kristensen
Lewis & Taggart
Vilde Salhus Røed
Heidi Bjørgan
NADA New York

Linda Sormin
Heidi Bjørgan
Collision

Steinar Haga Kristensen
The Fundamental Part of Any Act

Exhibitions
—2014


Tora Endestad Bjørkheim
Bjørn-Henrik Lybeck


Mathijs van Geest
The passenger eclipsed
the object that I could have
seen otherwise


Marit Følstad
Sense of Doubt

Oliver Laric
Yuanmingyuan3D

Terence Koh
sticks, stones and bones 

Kristin Tårnesvik
Espen Sommer Eide
Korsmos ugressarkiv

Exhibitions
— 2013


André Tehrani
Lost Allusions


Pedro Gómez-Egaña
Object to be Destroyed


Flag New York City

Christian von Borries
I’m M
Institute of Political Hallucinations
Bergen Assembly

Dillan Marsh
June Twenty-First

Vilde Salhus Røed
For the Sake of Colour


Azar Alsharif
The distant things seem close (…)
the close remote (…) the air is loaded


Magnhild Øen Nordahl
Omar Johnsen
Trialog

Lars Korff Lofthus
New Work

Exhibitions
— 2012


Anngjerd Rustan
The Dust Will Roll Together

Cato Løland
Oliver Pietsch
Love is Old, Love is New

Stian Ådlandsvik
Abstract Simplicity of Need

Sinta Werner
Something that stands for
Something / Double
Described Tautologies


Kjersti Vetterstad
Lethargia

Anna Lundh
Grey Zone

Arne Rygg
Borghild Rudjord Unneland
Lisa Him-Jensen
Cato Løland
Lewis & Taggart
Klara Sofie Ludvigsen
Magnhild Øen Nordahl
Mathijs van Geest
Andrea Spreafico
Flag Bergen

Exhibitions
— 2011


Karen Skog & Mia Øquist
Skog & Øquist systematiserer

Danilo Correale
We Are Making History

Sveinung Rudjord Unneland
U.T.

Ethan Hayes-Chute
Make/Shifted Cabin

Ebba Bohlin
Per-Oskar Leu
Kaia Hugin
Pica Pica

Gabriel Kvendseth
First We Take Mannahatta

Roger von Reybekiel
Do Everything Fantastic

Exhibitions
— 2010



Michael Johansson
27m3

Tone Wolff Kalstad
This Color Is Everywhere


Knud Young Lunde
Road Show Event Plan


Alison Carey
Ivan Twohig
Benjamin Gaulon
On The In-Between


Mercedes Mühleisen
Øyvind Aspen
Birk Bjørlo
Damir Avdagic
Annette Stav Johanssen
If Everything Else Fails...

Mart
Ciara Scanlan
Matthew Nevin
An Instructional

Patrick Wagner
Nina Nowak
Samuel Seger Patricia Wagner
South of No North

Gandt
Agnes Nedregaard Midskills
Patrick Coyle
Boogey Boys Santiago Mostyn
Bergen Biennale 2010 by Ytter

Lars Korff Lofthus
West Norwegian Pavilion


Serina Erfjord
Repeat


Mattias Arvastsson
Presence No.5


Malin Lennström-Örtwall
It`s like Nothing Ever Happened

Exhibitions
— 2009


Tor Navjord
FM/AM

Ragnhild Johansen
Erased Knot Painting


Entrée Radio


Lewis and Taggart
Ledsagende lydspor


In Conversation:
Gómez-Egaña and
Mathijs van Geest


In Conversation:
Andrew Amorim and
Mitch Speed


In Conversation:
Ane Graff and Alex Klein


In Conversation:
Martin Clark and Daniel Kelly


Ludo Sounds with
Tori Wrånes




In Conversation:
Stine Janvin Motland,
Kusum Normoyle,
Mette Rasmussen,
Cara Stewart



Randi Grov Berger
Contact/Info/CV
Other projects







Mark
September 3rd - October 30th, 2022

Andrea Spreafico
Poor Dictionary (From Distance to Rage)




Andrea Spreafico, Poor Dictionary (From Distance to Rage). All photos by Bent René Synnevåg.


This autumn Entrée extends our opening hours and functions as a library on the subject of writing. Writing has perhaps never been so present in everyday life as it is right now, a preferred tool for communication on the many social platforms via smartphones, laptops, comment sections, feedback reviews..., and even so, the reflection about writing is not growing at the same pace.

With Poor Dictionary Andrea Spreafico initiates an open and plural conversation about the conditions of writing. Visitors are welcome to contribute and spend time to read, write, re-write, copy, demand new acquisitions, listen to records, argue and discuss (coffee and tea is also served!). The pages of the library’s items will be used as a space for handwritten exchange and confrontation, where people can freely share their comments or comment on other people's comments.

This common conversation about the essence of writing will happen both directly, in the form of conversations, and indirectly, in the form of written contributions or suggested bibliography. Visitors can extend the library’s catalog, participate in the scheduled events and bring new written reflections or add lemmas; the collection will continuously grow throughout the fall.

The artist duo Lewis & Taggart has been invited to create a special window design for the library. Their collage will develop alongside four events led by Andrea, which are corresponding to four lemmas, on the following dates:

Lemma # 1 on Distance, Saturday, September 3, 6pm
Lemma # 1 on Distance, Sunday, September 11, 12 pm (noon)
Lemma # 2 on Handwritten Notes, Saturday, October 1, 5pm
Lemma # 3 on Quotes, Saturday, October 8, 5pm
Lemma # 4 on Rage, Saturday, October 29, 5pm

We invite you to support and contribute to the discourse Poor Dictionary is trying to develop. Contributions should aim to articulate and improve a plural reflection about the essence and implications of writing.

They can be:
a) new bibliographic suggestions for the library’s catalogue. The typewriter is in place for this goal.

b) written interactions in our books. We invite you to underline, comment or create your own index in the books. Pens, pencils and stickers are here for this.

c) new lemmas (in alphabetical order between the words Distance and Rage), written and shared on any sort of platform or medium.


Lemma = a heading indicating the subject or argument of a literary composition or annotation.


Andrea Spreafico (b. Ravenna) lives in Bergen. He studied Philosophy at the Universities of Bologna and Reims (PhD in Ethics and Aesthetics 2003-2006) and Art and Public Space at the Art Academy of Nürnberg (2006-2008). He’s the author of a book on Nietzsche’s concept of power (L’onestà dei forti, Genova, 2008) and has presented artistic works in several international venues. Since 2014 he has created performances merging theater, dance, live music and theory. His most recent works are Bad Dante Bad English Bad Opera (2022), Danced Work in Progress (2021), The October revolution took place in November (2020), We have to dress gorgeously (2019), Good Morning Milton Keynes! Oh ...it’s afternoon (2019), Footnote Number 12 (2019), Vive la Phrance (2017) and What a classic is and how it performs in (our) time. Paul McCarthy, Rocky, 1976 (2015). He is an associate professor in performative art (officially DAV) at Bergen School of Architecture.

__________
Opening hours of Poor Dictionary is Wed-Sun, 12-18
Entrée, Markeveien 4b, 5012 Bergen



Details from window piece by Lewis & Taggart. Their collage will develop alongside four events led by Andrea Spreafico, which are corresponding to the four lemmas: Distance, Handwritten Notes, Quotes and Rage.




// Norsk //


Denne høsten utvider Entrée åpningstidene og tar rollen som et bibliotek med fokus på emnet skriving. Skriving har kanskje aldri vært så til stede i hverdagen som det er akkurat nå, som et foretrukket verktøy for kommunikasjon på de mange sosiale plattformene via smarttelefoner, laptoper, i kommentarfelt, anmeldelser ..., likevel har ikke refleksjonen rundt skriving utviklet seg i samme tempo.

Med Poor Dictionary (fattig ordbok) innleder Andrea Spreafico en åpen samtale om vilkårene for å skrive. Besøkende er velkomne til å bidra og bruke tid i galleriet til å lese, skrive, skrive om, kopiere, foreslår nye ervervelser til biblioteket, lytte til plater, krangle og diskutere (det serveres også kaffe og te!). Sidene til bibliotekets bøker kan bli brukt som et rom for håndskrevne utvekslinger og konfrontasjoner, der folk fritt kan dele sine kommentarer eller kommentere andres kommentarer.

Denne sosiale samtalen om essensen av skriving vil skje både direkte, i form av samtaler, og indirekte, i form av skriftlige bidrag eller foreslått bibliografi. Besøkende kan utvide bibliotekets katalog, delta i de planlagte arrangementene og ta med nye skriftlige refleksjoner eller legge til lemmas (= en overskrift som angir emnet eller argumentet til en litterær komposisjon eller kommentar); samlingen vil kontinuerlig vokse utover høsten.

Kunstnerduoen Lewis & Taggart er invitert til å lage et spesielt vindusdesign for biblioteket. Collagen deres vil utvikle seg sammen med fire arrangementer ledet av Andrea, som tilsvarer fire lemmas, på følgende datoer:

Lemma # I - Avstand, lørdag 3. september kl. 18.00
Lemma # 2 - Avstand, søndag 11. september kl. 12.00
Lemma # 3 - Håndskrevne notater, lørdag 1. oktober kl. 17.00
Lemma # 4 - Sitater, lørdag 8. oktober kl. 17.00
Lemma # 5 - Raseri, lørdag 29. oktober kl. 17.00

Vi inviterer deg til å bidra til diskursen som Poor Dictionary prøver å utvikle. Bidrag bør ta sikte på å artikulere og forbedre en refleksjon om essensen og implikasjonene av skriving.

De kan være:
a)     Nye bibliografiske forslag til bibliotekets katalog. Skrivemaskinen er på plass for dette formålet.

b)     Skriftlige interaksjoner i bøkene. Vi inviterer deg til å understreke, kommentere eller lage din egen indeks i bøkene. Penner, blyanter og klistremerker er her for å brukes til det.

c)     Nye lemmas (i alfabetisk rekkefølge mellom ordene Distance og Rage), skrevet og delt på alle slags plattformer eller medium.


__________
Åpningstidene til Poor Dictionary er onsdag – søndag kl. 12-18
Fra 3. september til 30. oktober, 2022.

Andrea Spreafico (f. Ravenna) bor i Bergen. Han studerte filosofi ved universitetene i Bologna og Reims (PhD i etikk og estetikk 2003-2006) og kunst og offentlig rom ved kunstakademiet i Nürnberg (2006-2008). Han er forfatter av en bok om Nietzsches maktbegrep (L’onestà dei forti, Genova, 2008) og har presentert verk på flere internasjonale arenaer. Siden 2014 har han laget forestillinger som kombinerer teater, dans, levende musikk og teori. Hans siste verk er Bad Dante Bad English Bad Opera (2022), Danced Work in Progress (2021), The October revolution took place in November (2020), We have to dress gorgeously (2019), Good Morning Milton Keynes! Oh ...it’s afternoon (2019), Footnote Number 12 (2019), Vive la Phrance (2017) og What a classic is and how it performs in (our) time. Paul McCarthy, Rocky, 1976 (2015). Han er førsteamanuensis i performativ kunst (offisielt DAV) ved Bergen Arkitekthøgskole.

In the library you can listen to records. The current selection is handpicked by Peter Meanwell, to correspond to the first lemma on Distance.

Mark