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Thursday 12-5pm
Friday 12-5pm
Saturday 12-5pm
Sunday 12-5pm






Sveinung Rudjord Unneland
NA


-


Entrée Cinema 
x
Liu Yujia, Ji Jia
Cinemateket in Bergen
March 14th at 6pm!


-


T-Yard Residency
w/ Eric Otieno Sumba

Writer in Residency




Past Projects  
— 2023


Tanya Busse
Wind Sings to Wire




Louise Sidelmann
Loss



T-Yard Residency
w/ Isabel Baboun Garib

Writer in Residency



Flex Point w/ Northing Space
Naeun Kang, Lydia Soo Jin Park, Tansiyu Chen, Dominique Nachi, Kaho Suzuki, Kuan-Cheng Yeh, Lexy Liangzi Xiao, Jia Ji, Carmilly Yeung, Su Liao, Yun Hao


Kim Hankyul
( ͡°( ͡° ͜ʖ( ͡° ͜ʖ ͡°)ʖ ͡°) ͡°)


 
Entrée Cinema
Marthe Thorshaug,
Esteban Rivera
, curated by Tatiana Lozano



Kunstbokhandel Under Press
- Kristen Keegan
- Kurt Johannessen

How Artists’ Books Live, by Heather Jones
Bjørn Mortensen 
Ciara Phillips
Mari Kanstad Johnsen
- David Horvitz

Mari Kvien Brunvoll & Elida Brenna Linge
Lars Korff Lofthus


Emily Weiner
I took my lyre and said



Past Projects  
— 2022

Cato Løland
Turning Strangers Into Family



T-Yard Residency
w/ Yara Nakahanda Monteiro Writer in Residency



T-Yard Residency
w/ Kalaf Epalanga
Writer in Residency



Andrea Spreafico
Poor Dictionary (from Distance to Rage)


Cato Løland
Chests
Paris Internationale



Marco Bruzzone
GLUB CLUB (An Underwater Turmoil)



Lera Sxemka
Artists in Residency
 


Nastya Feschuk
Artist in Residency
 


Tuda Muda,
Sigrún Hlín Sigurðardóttir,
Unn Devik
Artists in Residency



Ivana Králíková
Future City Earth Systems
Artists in Residency


T-Yard Writers Residency
︎ www.t-yard.com


Karoline Hjorth & Riitta Ikonen
Eyes as Big as Plates


Entrée Cinema
Lasse Årikstad
Bergen Filmklubb


Pamflett & BABF
Bergen Art Book Library


Magnhild Øen Nordahl
Oppløyste abstraksjonar



Past Exhibitions
— 2021


SIGLA BINDA
- a group exhibition



Entrée Cinema
Calderón & Piñeros
Paul Tunge &
Egil Håskjold Larsen
Cinemateket i Bergen



Kåre Aleksander Grundvåg
Grunnarbeid



B3IG3
REACTION VIDEOS
Dan Brown Brønlund
Magnus Håland Sunde
Linda Morell



Lisa Seebach
I’d Rather Be Rehearsing the Future



Entrée Cinema:
Ina Porselius
Bergen Filmklubb



Ann Iren Buan
Falm varsomt, hold om oss



Sjur Eide Aas
At Hermit Street Metro Entrance



Entrée Cinema:
Esteban Rivera,
Marthe Thorshaug
Cinemateket Bergen



Karin Blomgren
Summen av alle krefter


Entrée Cinema: 
Jon Rafman,
Claudia Maté
at Bergen Filmklubb


Past Exhibitions
— 2020



Lin Wang
Exotic Dreams Tattoo Shop



Unfolding Questions, Codes,
and Contours

at Tromsø Kunstforening


Ida Wieth
wander / wonder



Lilian Nabulime, Bathsheba Okwenje,
Miriam Watsemba, Maria Brinch.
My Mother Is Forgetting My Face.
Curated by Martha Kazungu



Ian Giles
After BUTT
at Kunstnerforbundet


Oliver Ressler
Carbon and Captivity


Sara Wolfert
Head Channel & Lion 
- Waking of the Sleeping Lion Ear



Entrée Cinema
Kjersti Vetterstad
A Beehive in My Heart
at Cinemateket Bergen


Halldis Rønning
Watermusic



Past Exhibitions
— 2019



Kristin Austreid
Et underlig redskap

Bergen Assembly
Actually, the Dead Are Not Dead

Anne de Boer, Eloïse Bonneviot
the Mycological Twist

Kamilla Langeland
Stories of the Mind
(Transitioning Into Uncertainty)


Maria Brinch
INYA LAKE

— at Kunstnernes Hus


Bathsheba Okwenje
Freedom of Movement
at  Kunstnernes Hus

Lina Viste Grønli
Nye skulpturer


Toril Johannessen
SKOGSAKEN (The Forest Case)

Marysia Lewandowska
It’s About Time

(in Venice Biennial)

Films by
Mai Hofstad Gunnes


Isme Film
Collectively Conscious Remembrance


Trond Lossius
Jeremy Welsh
The Atmospherics
River deep, mountain high



Exhibitions 
— 2018



Marjolijn Dijkman
Toril Johannessen
Reclaiming Vision

Damir Avdagic
Reenactment/Process
Reprise/Response


Eivind Egeland
Father of Evil

Marysia Lewandowska
Rehearsing the Museum


Anton Vidokle
Immortality for All: a film trilogy on
Russian Cosmism

Curated by
Ingrid Haug Erstad

Johanna Billing
Pulheim Jam Session,
I’m Gonna Live Anyhow Until I die,
I’m Lost Without Your Rhythm,
This is How We Walk on the Moon,
Magical World


Jenine Marsh
Kneading Wheel, 
Coins and Tokens

Jenine Marsh
Sofia Eliasson
Lasse Årikstad
Johanna Lettmayer
Lewis & Taggar
Jon Benjamin Tallerås
Orientering 
—  a group show in public space


Jon Rafman
Dream Journal
2016-2017


Goutam Ghosh &
Jason Havneraas
PAARA

Ian Giles
After BUTT

Films by Yafei Qi
Wearing The Fog, 
I Wonder Why, 
Life Tells Lies

Exhibitions
— 2017

Daniel Gustav Cramer
Five Days

Kamilla Langeland
Sjur Eide Aas
The Thinker, Flower Pot and Mush

Danilo Correale
Equivalent Unit
Reverie: On the Liberation from Work


Valentin Manz
Useful Junk

Jeannine Han
Dan Riley
Time Flies When Slipping
Counter-Clockwise


Pedro Gómez-Egaña
Pleasure

Ane Graff
Mattering Waves


Andrew Amorim
Lest We Perish

Tom S. Kosmo
Unnatural Selection

Jenine Marsh
Lindsay Lawson

Dear Stranger


Exhibitions
— 2016


ALBUM
Eline Mugaas
Elise Storsveen
How to Feel Like a Woman

DKUK (Daniel Kelly)
Presents: Jóhanna Ellen
Digital Retreat Dot Com

Cato Løland
Folded Lines, Battles and Events

Harald Beharie
Louis Schou-Hansen
(S)kjønn safari 2.0

Lynda Benglis
On Screen
Bergen Assembly

Linn Pedersen
Bjørn Mortensen
Terence Koh
NADA New York

Ida Nissen
Kamilla Langeland
Marthe Elise Stramrud
Christian Tunge
Eivind Egeland
Fading Forms

Anders Holen
Stimulus

Sinta Werner
Vanishing Lines

Exhibitions
— 2015


Bjørn Mortensen
Pouches and Pockets
/ Compositories in Color


Linn Pedersen
Plain Air

Øystein Klakegg
Entrée # 55

Leander Djønne
Petroglyphs of the Indebted Man

Lewis & Taggart
Black Holes and other painted objects


Azar Alsharif
Bjørn Mortensen
Steinar Haga Kristensen
Lewis & Taggart
Vilde Salhus Røed
Heidi Bjørgan
NADA New York

Linda Sormin
Heidi Bjørgan
Collision

Steinar Haga Kristensen
The Fundamental Part of Any Act

Exhibitions
—2014


Tora Endestad Bjørkheim
Bjørn-Henrik Lybeck


Mathijs van Geest
The passenger eclipsed
the object that I could have
seen otherwise


Marit Følstad
Sense of Doubt

Oliver Laric
Yuanmingyuan3D

Terence Koh
sticks, stones and bones 

Kristin Tårnesvik
Espen Sommer Eide
Korsmos ugressarkiv

Exhibitions
— 2013


André Tehrani
Lost Allusions


Pedro Gómez-Egaña
Object to be Destroyed


Flag New York City

Christian von Borries
I’m M
Institute of Political Hallucinations
Bergen Assembly

Dillan Marsh
June Twenty-First

Vilde Salhus Røed
For the Sake of Colour


Azar Alsharif
The distant things seem close (…)
the close remote (…) the air is loaded


Magnhild Øen Nordahl
Omar Johnsen
Trialog

Lars Korff Lofthus
New Work

Exhibitions
— 2012


Anngjerd Rustan
The Dust Will Roll Together

Cato Løland
Oliver Pietsch
Love is Old, Love is New

Stian Ådlandsvik
Abstract Simplicity of Need

Sinta Werner
Something that stands for
Something / Double
Described Tautologies


Kjersti Vetterstad
Lethargia

Anna Lundh
Grey Zone

Arne Rygg
Borghild Rudjord Unneland
Lisa Him-Jensen
Cato Løland
Lewis & Taggart
Klara Sofie Ludvigsen
Magnhild Øen Nordahl
Mathijs van Geest
Andrea Spreafico
Flag Bergen

Exhibitions
— 2011


Karen Skog & Mia Øquist
Skog & Øquist systematiserer

Danilo Correale
We Are Making History

Sveinung Rudjord Unneland
U.T.

Ethan Hayes-Chute
Make/Shifted Cabin

Ebba Bohlin
Per-Oskar Leu
Kaia Hugin
Pica Pica

Gabriel Kvendseth
First We Take Mannahatta

Roger von Reybekiel
Do Everything Fantastic

Exhibitions
— 2010



Michael Johansson
27m3

Tone Wolff Kalstad
This Color Is Everywhere


Knud Young Lunde
Road Show Event Plan


Alison Carey
Ivan Twohig
Benjamin Gaulon
On The In-Between


Mercedes Mühleisen
Øyvind Aspen
Birk Bjørlo
Damir Avdagic
Annette Stav Johanssen
If Everything Else Fails...

Mart
Ciara Scanlan
Matthew Nevin
An Instructional

Patrick Wagner
Nina Nowak
Samuel Seger Patricia Wagner
South of No North

Gandt
Agnes Nedregaard Midskills
Patrick Coyle
Boogey Boys Santiago Mostyn
Bergen Biennale 2010 by Ytter

Lars Korff Lofthus
West Norwegian Pavilion


Serina Erfjord
Repeat


Mattias Arvastsson
Presence No.5


Malin Lennström-Örtwall
It`s like Nothing Ever Happened

Exhibitions
— 2009


Tor Navjord
FM/AM

Ragnhild Johansen
Erased Knot Painting


Entrée Radio


Lewis and Taggart
Ledsagende lydspor


In Conversation:
Gómez-Egaña and
Mathijs van Geest


In Conversation:
Andrew Amorim and
Mitch Speed


In Conversation:
Ane Graff and Alex Klein


In Conversation:
Martin Clark and Daniel Kelly


Ludo Sounds with
Tori Wrånes




In Conversation:
Stine Janvin Motland,
Kusum Normoyle,
Mette Rasmussen,
Cara Stewart



Randi Grov Berger
Contact/Info/CV
Other projects







Mark

December 9th, 2023 - January 28th, 2024

Tanya Busse
Wind Sings to Wire


Vernissage Saturday December 9th, from 6-9pm
Entrée, Markeveien 4b
Thursday—Sunday, 12—5pm



Installation view, Tanya Busse, Wind Sings to Wire, Entrée. Video by Ed Gobina.

Installation view, Tanya Busse, Wind Sings to Wire, Entrée. All photos by Mario de la Ossa.


Press
17.01.24
ArtViewer
Tanya Busse at Entrée




Entrée is pleased to present a new site-specific work by Tanya Busse. Wind Sings to Wire consists of dozens of lightbulbs connected to the architectural space of Entrée via industrial cables. The luminous canopy flickers softly in the semi-darkness of mid-winter, suggesting interference from another time and place. The flickering is in fact the result of a connection to a signal that transmits data from the future. Early in 2023, the Norwegian government approved a plan to connect the Hammerfest liquified natural gas plant to the power grid. The beat and the pulse of the installation is based on electricity forecasts, energy predictions and futurological mappings of that plan. In this immersive space the viewer is invited to experience both light and its absence—light as information, light as a message from beyond, light as an eminence of possibility from the future- a future in which we are only partially aware of what will come.

Often cited as the year climate change will become irreversible, 2030 is also significant regionally. It is the year that Melkøya, an island in the Barents Sea, will see its enormous processing facility for liquified fossil gas extracted from the Snøhvit oil and gas field entirely converted to run on electricity. However: a vast network of electric grids, powerlines, roads, wind turbine parks, and hydro dams will have to be built to support the massive power needs of the Melkøya facility. Obscured by the clamoring ecological self-congratulation and an emphasis on military power, the state proposal is in fact part of an ongoing process of colonization of the North of Norway and the expansion of state. The Arctic is one of the last areas in Europe home to large expanses of unexploited territory that has not been completely turned over to manufacturing or industrial purposes. The region is also key to global climate regulation, and a role that is made vulnerable by expansion of electric infrastructure. Reindeer migration routes and multi-species breeding and rearing areas both on land and sea are jeopardized by the current planning, which also comes at the expense of indigenous land rights.

Melkøya’s electrification is symbolic of a much broader shift towards electric power as part of Norway’s goal to transition from fossil fuels to renewable energy sources—for which 2030 is a watershed moment—but like Busse's flickering lights, this narrative depends on future projections. The price of electricity, the effect a thawing permafrost will have on water supply and ground infrastructure, the impact of climate migration and other invisible forces are some of the factors that remain unknowable today, standing inside gallery Entrée.

–Natasha Marie Llorens


The project is produced in collaboration with Aldea, and is kindly supported by Arts Council Norway, The art centers in Norway (KiN), Bergen Municipality, Troms and Finnmark county.

Tanya Busse (b.1982, Canada) is based in Tromsø. She studied at NSCAD University in Halifax (CA), Kunstschule Berlin Weissensee (DE), and holds a master’s degree from the Academy of Art in Tromsø (NO). Her practice spans moving-image, installation, and photography to explore the intersection between representations of nature and the presence of industrial or post-human traces. Her work addresses the notion of deep-time, invisible architectures in the present, and how power is produced and articulated through material relationships in space, both actual and historical. Her work has been shown at Gallery 44 Center for Photography in Toronto (CA), Mumbai Art Room (IN), Podium Gallery, Oslo (NO) and Vaga Center for Art and Knowledge, Sao Miguel, Azores (PT), amongst others. She is a co-director of the collaborative platforms New Mineral Collective and Mondo Books.




Tanya Busse, Wind Sings to Wire, 2023, (3) 4 x 1250 x 2500 mm aluminum plate, tinned copper braided electrical wire, FDM 3d printed components (ABS and PETG), LED WIFI Bulbs, electrical terminal blocks, coded in Python


















Tanya Busse, System Works, 2023, screenprint on Somerset Satin White, 140 x 170 cm



Tanya Busse, Sigil, 2023, black vinyl foil



Tanya Busse, Wind Sings to Wire (exterior view), Entrée 2023. All photos by Mario de la Ossa.


Entrée har gleden av å presentere et nytt stedsspesifikt verk av Tanya Busse. Wind Sings to Wire består av dusinvis av lyspærer tilpasset den arkitektoniske rammen til Entrée via industrielle kabler. Den lysende baldakinen flimrer mykt i midtvinterens halvmørke, og antyder forstyrrelser fra en annen tid og et annet sted. I realiteten kommer flimringen fra forbindelse til et signal som overfører data fra fremtiden. Tidlig i 2023 vedtok den norske regjeringen en plan for å koble Hammerfest flytende naturgassanlegg til kraftnettet. Takten og pulsen til installasjonen er basert på elektrisitetsprognoser, energispådommer og futurologiske kartlegginger av den planen. I dette rommet inviteres betrakteren til å oppleve både lys og dets fravær – lys som informasjon, lys som et budskap fra hinsides, lys som en fremstående mulighet fra fremtiden – en fremtid der vi bare delvis forstår hva som vil skje.

2030 er ofte nevnt som året klimaendringene vil bli irreversible. Året er også aktuelt regionalt, da det er året når olje- og gassfeltet Snøhvit på Melkøya i Barentshavet – med sitt enorme prosessanlegg for flytende fossilgass – blir fullstendig konvertert til å gå på elektrisitet. Dette vil bety at et stort nettverk av elektriske nett, kraftledninger, veier, vindturbinparker og vannkraftverk vil måtte bygges for å dekke det enorme kraftbehovet til anlegget. Tilslørt av den ropende økologiske selv-gratulasjonen og vektleggingen av militærmakt, er statsforslaget faktisk en del av en pågående prosess med kolonisering av Nord-Norge. Arktis er et av de siste områdene i Europa som huser store vidder med uutnyttet territorium som ikke er fullstendig overført til produksjon eller industrielle formål. Regionen er også nøkkelen til global klimaregulering, en rolle som gjøres sårbar ved utvidelse av elektrisk infrastruktur. Reinens trekkleier og oppdrett- og oppvekstområder for flere arter både på land og sjø settes i fare av dagens planlegging, som også går på bekostning av urfolks landrettigheter.

Elektrifisering av Melkøya er betegnende for et sentralt skifte i retning elektrisk kraft – noe som samsvarer med Norges mål om overgang fra fossilt brensel til fornybare energikilder – der året 2030 skal bli et vannskille. Men i likhet med Busses flimrende lys, avhenger denne fortellingen av fremtidige prognoser. Prisen på elektrisitet, effekten som en tinende permafrost vil ha på vannforsyning og bakkeinfrastruktur, virkningen av klimamigrasjon og andre usynlige krefter, er noen av faktorene som forblir ukjente i dag, og som inngår i verket på Entrée.

–Natasha Marie Llorens



Prosjektet er produsert i samarbeid med Aldea, og er støttet av Norsk Kulturråd, Kunstsentrene i Norge (KiN), Bergen kommune, Troms og Finnmark fylkeskommune.

Tanya Busse (f.1982, Canada) har base i Tromsø. Hun studerte ved NSCAD University i Halifax (CA), Kunstschule Berlin Weissensee (DE), og har en mastergrad fra Kunstakademiet i Tromsø. I sin praksis jobber hun med bevegelige bilder, installasjoner og fotografi for å utforske skjæringspunktet mellom representasjoner av naturen og tilstedeværelsen av industrielle eller post-menneskelige spor. Arbeidene hennes tar for seg forestillingen om dyptid, usynlige arkitekturer i nåtiden, og hvordan kraft produseres og artikuleres gjennom materielle relasjoner i rommet, både faktiske og historiske. Arbeidene hennes har blitt vist på Gallery 44 Center for Photography i Toronto (CA), Mumbai Art Room (IN), Podium Galleri, Oslo og Vaga Center for Art and Knowledge, Sao Miguel, Azorene (PT) med flere. Hun er med-direktør for samarbeidsplattformene New Mineral Collective og Mondo Books.





Mark