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Opening hours:
Thursday 12—4pm

Friday 12—4pm
Saturday 12—4pm
Sunday 12—4pm

Ida Wieth
wander / wonder

Unfolding Questions, Codes,
and Contours

at Tromsø Kunstforening
10.10 - 20.12

Past Exhibitions
— 2020

Lilian Nabulime, Bathsheba Okwenje,
Miriam Watsemba, Maria Brinch.
My Mother Is Forgetting My Face.
Curated by Martha Kazungu

Ian Giles
After BUTT
at Kunstnerforbundet

Oliver Ressler
Carbon and Captivity

Sara Wolfert
Head Channel & Lion 
- Waking of the Sleeping Lion Ear

Kjersti Vetterstad
A Beehive in My Heart

Halldis Rønning

Past Exhibitions
— 2019

Kristin Austreid
Et underlig redskap

Bergen Assembly
Actually, the Dead Are Not Dead

Anne de Boer, Eloïse Bonneviot
the Mycological Twist

Kamilla Langeland
Stories of the Mind
(Transitioning Into Uncertainty)

Maria Brinch

— at Kunstnernes Hus

Bathsheba Okwenje
Freedom of Movement
at  Kunstnernes Hus

Lina Viste Grønli
Nye skulpturer

Toril Johannessen
SKOGSAKEN (The Forest Case)

Marysia Lewandowska
It’s About Time

(in Venice Biennial)

Films by
Mai Hofstad Gunnes

Isme Film
Collectively Conscious Remembrance

Trond Lossius
Jeremy Welsh
The Atmospherics
River deep, mountain high

— 2018

Marjolijn Dijkman
Toril Johannessen
Reclaiming Vision

Damir Avdagic

Eivind Egeland
Father of Evil

Marysia Lewandowska
Rehearsing the Museum

Anton Vidokle
Immortality for All: a film trilogy on
Russian Cosmism

Curated by
Ingrid Haug Erstad

Johanna Billing
Pulheim Jam Session,
I’m Gonna Live Anyhow Until I die,
I’m Lost Without Your Rhythm,
This is How We Walk on the Moon,
Magical World

Jenine Marsh
Kneading Wheel, 
Coins and Tokens

Jenine Marsh
Sofia Eliasson
Lasse Årikstad
Johanna Lettmayer
Lewis & Taggar
Jon Benjamin Tallerås
—  a group show in public space

Jon Rafman
Dream Journal

Goutam Ghosh &
Jason Havneraas

Ian Giles
After BUTT

Films by Yafei Qi
Wearing The Fog, 
I Wonder Why, 
Life Tells Lies

— 2017

Daniel Gustav Cramer
Five Days

Kamilla Langeland
Sjur Eide Aas
The Thinker, Flower Pot and Mush

Danilo Correale
Equivalent Unit
Reverie: On the Liberation from Work

Valentin Manz
Useful Junk

Jeannine Han
Dan Riley
Time Flies When Slipping

Pedro Gómez-Egaña

Ane Graff
Mattering Waves

Andrew Amorim
Lest We Perish

Tom S. Kosmo
Unnatural Selection

Jenine Marsh
Lindsay Lawson

Dear Stranger

— 2016

Eline Mugaas
Elise Storsveen
How to Feel Like a Woman

DKUK (Daniel Kelly)
Presents: Jóhanna Ellen
Digital Retreat Dot Com

Cato Løland
Folded Lines, Battles and Events

Harald Beharie
Louis Schou-Hansen
(S)kjønn safari 2.0

Lynda Benglis
On Screen
Bergen Assembly

Linn Pedersen
Bjørn Mortensen
Terence Koh
NADA New York

Ida Nissen
Kamilla Langeland
Marthe Elise Stramrud
Christian Tunge
Eivind Egeland
Fading Forms

Anders Holen

Sinta Werner
Vanishing Lines

— 2015

Bjørn Mortensen
Pouches and Pockets
/ Compositories in Color

Linn Pedersen
Plain Air

Øystein Klakegg
Entrée # 55

Leander Djønne
Petroglyphs of the Indebted Man

Lewis & Taggart
Black Holes and other painted objects

Azar Alsharif
Bjørn Mortensen
Steinar Haga Kristensen
Lewis & Taggart
Vilde Salhus Røed
Heidi Bjørgan
NADA New York

Linda Sormin
Heidi Bjørgan

Steinar Haga Kristensen
The Fundamental Part of Any Act


Tora Endestad Bjørkheim
Bjørn-Henrik Lybeck

Mathijs van Geest
The passenger eclipsed
the object that I could have
seen otherwise

Marit Følstad
Sense of Doubt

Oliver Laric

Terence Koh
sticks, stones and bones 

Kristin Tårnesvik
Espen Sommer Eide
Korsmos ugressarkiv

— 2013

André Tehrani
Lost Allusions

Pedro Gómez-Egaña
Object to be Destroyed

Flag New York City

Christian von Borries
I’m M
Institute of Political Hallucinations
Bergen Assembly

Dillan Marsh
June Twenty-First

Vilde Salhus Røed
For the Sake of Colour

Azar Alsharif
The distant things seem close (…)
the close remote (…) the air is loaded

Magnhild Øen Nordahl
Omar Johnsen

Lars Korff Lofthus
New Work

— 2012

Anngjerd Rustan
The Dust Will Roll Together

Cato Løland
Oliver Pietsch
Love is Old, Love is New

Stian Ådlandsvik
Abstract Simplicity of Need

Sinta Werner
Something that stands for
Something / Double
Described Tautologies

Kjersti Vetterstad

Anna Lundh
Grey Zone

Arne Rygg
Borghild Rudjord Unneland
Lisa Him-Jensen
Cato Løland
Lewis & Taggart
Klara Sofie Ludvigsen
Magnhild Øen Nordahl
Mathijs van Geest
Andrea Spreafico
Flag Bergen

— 2011

Karen Skog & Mia Øquist
Skog & Øquist systematiserer

Danilo Correale
We Are Making History

Sveinung Rudjord Unneland

Ethan Hayes-Chute
Make/Shifted Cabin

Ebba Bohlin
Per-Oskar Leu
Kaia Hugin
Pica Pica

Gabriel Kvendseth
First We Take Mannahatta

Roger von Reybekiel
Do Everything Fantastic

— 2010

Michael Johansson

Tone Wolff Kalstad
This Color Is Everywhere

Knud Young Lunde
Road Show Event Plan

Alison Carey
Ivan Twohig
Benjamin Gaulon
On The In-Between

Mercedes Mühleisen
Øyvind Aspen
Birk Bjørlo
Damir Avdagic
Annette Stav Johanssen
If Everything Else Fails...

Ciara Scanlan
Matthew Nevin
An Instructional

Patrick Wagner
Nina Nowak
Samuel Seger Patricia Wagner
South of No North

Agnes Nedregaard Midskills
Patrick Coyle
Boogey Boys Santiago Mostyn
Bergen Biennale 2010 by Ytter

Lars Korff Lofthus
West Norwegian Pavilion

Serina Erfjord

Mattias Arvastsson
Presence No.5

Malin Lennström-Örtwall
It`s like Nothing Ever Happened

— 2009

Tor Navjord

Ragnhild Johansen
Erased Knot Painting

Entrée Radio

Lewis and Taggart
Ledsagende lydspor

In Conversation:
Gómez-Egaña and
Mathijs van Geest

In Conversation:
Andrew Amorim and
Mitch Speed

In Conversation:
Ane Graff and Alex Klein

In Conversation:
Martin Clark and Daniel Kelly

Ludo Sounds with
Tori Wrånes

In Conversation:
Stine Janvin Motland,
Kusum Normoyle,
Mette Rasmussen,
Cara Stewart

Randi Grov Berger
Other projects

June 14th — July 21st, 2019

Lina Viste Grønli 

Nye skulpturer

Opening Friday June 14th at 6pm.
Music for recorders by the American composer Peter Child performed by Patricia Michlits at 7pm.

Lina Viste Grønli, Fig. V (2019)

Lina Viste Grønli's new work is a selection of sculptural-cultural appropriation involving twigs and chewed gum. This is her first solo presentation in Norway in five years.

Lina Viste Grønli (b. 1976 in Bergen) grew up in Stavanger and currently lives and works on the East Coast of the United States. Her work engages language, semiotics, and sculptural strategies. She explores collective references and challenges conceptual understanding. Grønli has exhibited at a number of renowned institutions for contemporary art in Norway and internationally, including Sculpture Center, NYC; Marres Center for Contemporary Culture, Maastricht; WIELS Contemporary Art Center, Brussels; Office for Contemporary Art, Oslo; List Visual Art Center, Cambridge; Performa 09 and 13, NYC; Henie Onstad Art Center, Bærum; and Kunsthall Stavanger.

Branches is a suite for recorders—tenor, alto, soprano, and sopranino—in five short movements. It was composed for the opening of Lina Viste Grønli’s exhibition Nye skulpturer at Entrée, and the music responds to the work in that show: The sculptures are assemblages of branches and chewing gum that resemble wooden flutes, hence the recorders. In addition, the opening notes in the first movement are based upon the word ‘branch’ (in which, happily, the name ‘Bach’ is nested), and almost all of the pitch material in the rest of the piece is derived—branches out—from this opening figure.

/Peter Child

Peter Child is a composer and Professor of Music at
Massachusetts Institute of Technology in Cambridge,
Massachusetts, USA.

The piece is performed by Patricia Michlits.
Recorded by Arve Stigen/Duper Studio.


Lina Viste Grønlis nye arbeider er et utvalg skulpturell kulturell appropriasjon av kvister og tygget tyggegummi. Dette er hennes første solopresentasjon i Norge på fem år.

Lina Viste Grønli (f. 1976 i Bergen) er oppvokst i Stavanger og har de siste årene bodd og jobbet på østkysten av USA. Arbeidene hennes har en dyp forankring i språk, semiotikk og skulpturelle problemstillinger. Hun utforsker kollektive referanser og utfordrer vår begrepsforståelse. Grønli har stilt ut på en rekke anerkjente visningsarenaer for samtidskunst i Norge og internasjonalt, slik som Sculpture Center, NYC; Marres Centre for Contemporary Culture, Maastricht; Wiels Contemporary Art Centre, Brussel; Office for Contemporary Art, Oslo; List Visual Art Center, Cambridge; Performa 09, NYC; Henie Onstad Kunstsenter, Bærum; og Kunsthall Stavanger.

Lina Viste Grønli
Fig. VII (2019)
39,5 cm x 2,5 cm x 4 cm
Twig, brass nails, chewing gum

Lina Viste Grønli
On Marcuse II (2019)
22 cm x 15,5 cm x 14 cm
Book, chewing gum, pumps

Lina Viste Grønli
Fig. X (2019)
28 cm x 4xm x 4 cm
Twig, brass nails, chewing gum

Lina Viste Grønli
On Marcuse (2019)
26,5 cm x 14,5 cm x 13,5 cm
Book, chewing gum, sneaker

Lina Viste Grønli
On Negations (2019)
26 cm x 18,5 cm x 13 cm
Book, chewing gum, boot
(as seen installed in the Public Library, Bergen)

Lina Viste Grønli
Fig. II (2019)
31,5 cm x 4 cm x 6 cm
Twig, brass nails, chewing gum

Contemporary Art Daily
Lina Viste Grønli at Entrée
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selection of documentation of art exhibitions and events.

Lina Viste Grønli at Entrée

ArtViewer promotes contemporary art through a curated
selection of documentation of art exhibitions and events.