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Current:


Kristin Austreid
Et underlig redskap
15. 11—22.12

. . .


Past Exhibitions
— 2019



Bergen Assembly
Actually, the Dead Are Not Dead

Anne de Boer, Eloïse Bonneviot
the Mycological Twist


Kamilla Langeland
Stories of the Mind (Transitioning Into Uncertainty)



Maria Brinch
INYA LAKE

— at Kunstnernes Hus



Bathsheba Okwenje
Freedom of Movement
at  Kunstnernes Hus


Lina Viste Grønli
Nye skulpturer



Toril Johannessen
SKOGSAKEN (The Forest Case)


Marysia Lewandowska It’s About Time (in Venice Biennial)


Films by
Mai Hofstad Gunnes



Isme Film
Collectively Conscious Remembrance



Trond Lossius
Jeremy Welsh
The Atmospherics
River deep, mountain high



Exhibitions 
— 2018



Marjolijn Dijkman
Toril Johannessen
Reclaiming Vision

Damir Avdagic
Reenactment/Process
Reprise/Response


Eivind Egeland
Father of Evil

Marysia Lewandowska
Rehearsing the Museum


Anton Vidokle
Immortality for All: a film trilogy on
Russian Cosmism

Curated by
Ingrid Haug Erstad

Johanna Billing
Pulheim Jam Session,
I’m Gonna Live Anyhow Until I die,
I’m Lost Without Your Rhythm, This is How We Walk on the Moon,
Magical World


Jenine Marsh
Kneading Wheel, 
Coins and Tokens

Jenine Marsh
Sofia Eliasson
Lasse Årikstad
Johanna Lettmayer
Lewis & Taggar
Jon Benjamin Tallerås
Orientering 
—  a group show in public space


Jon Rafman
Dream Journal
2016-2017


Goutam Ghosh &
Jason Havneraas
PAARA

Ian Giles
After BUTT

Films by Yafei Qi
Wearing The Fog, 
I Wonder Why, 
Life Tells Lies

Exhibitions
— 2017

Daniel Gustav Cramer
Five Days

Kamilla Langeland
Sjur Eide Aas
The Thinker, Flower Pot and Mush

Danilo Correale
Equivalent Unit
Reverie: On the Liberation from Work


Valentin Manz
Useful Junk

Jeannine Han
Dan Riley
Time Flies When Slipping Counter-Clockwise

Pedro Gómez-Egaña
Pleasure

Ane Graff
Mattering Waves


Andrew Amorim
Lest We Perish

Tom S. Kosmo
Unnatural Selection

Jenine Marsh
Lindsay Lawson

Dear Stranger


Exhibitions
— 2016


ALBUM
Eline Mugaas
Elise Storsveen
How to Feel Like a Woman

DKUK (Daniel Kelly)
Presents: Jóhanna Ellen
Digital Retreat Dot Com

Cato Løland
Folded Lines, Battles and Events

Harald Beharie
Louis Schou-Hansen
(S)kjønn safari 2.0

Lynda Benglis
On Screen
Bergen Assembly

Linn Pedersen
Bjørn Mortensen
Terence Koh
NADA New York

Ida Nissen
Kamilla Langeland
Marthe Elise Stramrud
Christian Tunge
Eivind Egeland
Fading Forms

Anders Holen
Stimulus

Sinta Werner
Vanishing Lines

Exhibitions
— 2015


Bjørn Mortensen
Pouches and Pockets
/ Compositories in Color


Linn Pedersen
Plain Air

Øystein Klakegg
Entrée # 55

Leander Djønne
Petroglyphs of the Indebted Man

Lewis & Taggart
Black Holes and other painted objects


Azar Alsharif
Bjørn Mortensen
Steinar Haga Kristensen
Lewis & Taggart
Vilde Salhus Røed
Heidi Bjørgan
NADA New York

Linda Sormin
Heidi Bjørgan
Collision

Steinar Haga Kristensen
The Fundamental Part of Any Act

Exhibitions
—2014


Tora Endestad Bjørkheim
Bjørn-Henrik Lybeck


Mathijs van Geest
The passenger eclipsed the object that I could have seen otherwise

Marit Følstad
Sense of Doubt

Oliver Laric
Yuanmingyuan3D

Terence Koh
sticks, stones and bones 

Kristin Tårnesvik
Espen Sommer Eide
Korsmos ugressarkiv

Exhibitions
— 2013


André Tehrani
Lost Allusions


Pedro Gómez-Egaña
Object to be Destroyed


Flag New York City

Christian von Borries
I’m M
Institute of Political Hallucinations
Bergen Assembly

Dillan Marsh
June Twenty-First

Vilde Salhus Røed
For the Sake of Colour


Azar Alsharif
The distant things seem close (…) the close remote (…) the air is loaded


Magnhild Øen Nordahl
Omar Johnsen
Trialog

Lars Korff Lofthus
New Work

Exhibitions
— 2012


Anngjerd Rustan
The Dust Will Roll Together

Cato Løland
Oliver Pietsch
Love is Old, Love is New

Stian Ådlandsvik
Abstract Simplicity of Need

Sinta Werner
Something that stands for Something / Double Described Tautologies

Kjersti Vetterstad
Lethargia

Anna Lundh
Grey Zone

Arne Rygg
Borghild Rudjord Unneland
Lisa Him-Jensen
Cato Løland
Lewis & Taggart
Klara Sofie Ludvigsen
Magnhild Øen Nordahl
Mathijs van Geest
Andrea Spreafico
Flag Bergen

Exhibitions
— 2011


Karen Skog & Mia Øquist
Skog & Øquist systematiserer

Danilo Correale
We Are Making History

Sveinung Rudjord Unneland
U.T.

Ethan Hayes-Chute
Make/Shifted Cabin

Ebba Bohlin
Per-Oskar Leu
Kaia Hugin
Pica Pica

Gabriel Kvendseth
First We Take Mannahatta

Roger von Reybekiel
Do Everything Fantastic

Exhibitions
— 2010



Michael Johansson
27m3

Tone Wolff Kalstad
This Color Is Everywhere


Knud Young Lunde
Road Show Event Plan


Alison Carey
Ivan Twohig
Benjamin Gaulon
On The In-Between


Mercedes Mühleisen
Øyvind Aspen
Birk Bjørlo
Damir Avdagic
Annette Stav Johanssen
If Everything Else Fails...

Mart
Ciara Scanlan
Matthew Nevin
An Instructional

Patrick Wagner
Nina Nowak
Samuel Seger Patricia Wagner
South of No North

Gandt
Agnes Nedregaard Midskills
Patrick Coyle
Boogey Boys Santiago Mostyn
Bergen Biennale 2010 by Ytter

Lars Korff Lofthus
West Norwegian Pavilion


Serina Erfjord
Repeat


Mattias Arvastsson
Presence No.5


Malin Lennström-Örtwall
It`s like Nothing Ever Happened

Exhibitions
— 2009


Tor Navjord
FM/AM

Ragnhild Johansen
Erased Knot Painting


Entrée Radio


Lewis and Taggart
Ledsagende lydspor


In Conversation:
Gómez-Egaña and Mathijs van Geest


In Conversation:
Andrew Amorim and Mitch Speed


In Conversation:
Ane Graff and Alex Klein


In Conversation:
Martin Clark and Daniel Kelly


Ludo Sounds with
Tori Wrånes




In Conversation:
Stine Janvin Motland, Kusum Normoyle, Mette Rasmussen, Cara Stewart



Randi Grov Berger
Contact/Info/CV
Other projects







Mark
June 14th — July 21st, 2019

Lina Viste Grønli 

Nye skulpturer


Opening Friday June 14th at 6pm.
Music for recorders by the American composer Peter Child performed by Patricia Michlits at 7pm.



Lina Viste Grønli, Fig. V (2019)



Lina Viste Grønli's new work is a selection of sculptural-cultural appropriation involving twigs and chewed gum. This is her first solo presentation in Norway in five years.

Lina Viste Grønli (b. 1976 in Bergen) grew up in Stavanger and currently lives and works on the East Coast of the United States. Her work engages language, semiotics, and sculptural strategies. She explores collective references and challenges conceptual understanding. Grønli has exhibited at a number of renowned institutions for contemporary art in Norway and internationally, including Sculpture Center, NYC; Marres Center for Contemporary Culture, Maastricht; WIELS Contemporary Art Center, Brussels; Office for Contemporary Art, Oslo; List Visual Art Center, Cambridge; Performa 09 and 13, NYC; Henie Onstad Art Center, Bærum; and Kunsthall Stavanger.





Branches is a suite for recorders—tenor, alto, soprano, and sopranino—in five short movements. It was composed for the opening of Lina Viste Grønli’s exhibition Nye skulpturer at Entrée, and the music responds to the work in that show: The sculptures are assemblages of branches and chewing gum that resemble wooden flutes, hence the recorders. In addition, the opening notes in the first movement are based upon the word ‘branch’ (in which, happily, the name ‘Bach’ is nested), and almost all of the pitch material in the rest of the piece is derived—branches out—from this opening figure.


/Peter Child

Peter Child is a composer and Professor of Music at
Massachusetts Institute of Technology in Cambridge,
Massachusetts, USA.

The piece is performed by Patricia Michlits.
Recorded by Arve Stigen/Duper Studio.

//Norsk//

Lina Viste Grønlis nye arbeider er et utvalg skulpturell kulturell appropriasjon av kvister og tygget tyggegummi. Dette er hennes første solopresentasjon i Norge på fem år.

Lina Viste Grønli (f. 1976 i Bergen) er oppvokst i Stavanger og har de siste årene bodd og jobbet på østkysten av USA. Arbeidene hennes har en dyp forankring i språk, semiotikk og skulpturelle problemstillinger. Hun utforsker kollektive referanser og utfordrer vår begrepsforståelse. Grønli har stilt ut på en rekke anerkjente visningsarenaer for samtidskunst i Norge og internasjonalt, slik som Sculpture Center, NYC; Marres Centre for Contemporary Culture, Maastricht; Wiels Contemporary Art Centre, Brussel; Office for Contemporary Art, Oslo; List Visual Art Center, Cambridge; Performa 09, NYC; Henie Onstad Kunstsenter, Bærum; og Kunsthall Stavanger.



Lina Viste Grønli
Fig. VII (2019)
39,5 cm x 2,5 cm x 4 cm
Twig, brass nails, chewing gum





Lina Viste Grønli
On Marcuse II (2019)
22 cm x 15,5 cm x 14 cm
Book, chewing gum, pumps



Lina Viste Grønli
Fig. X (2019)
28 cm x 4xm x 4 cm
Twig, brass nails, chewing gum



Lina Viste Grønli
On Marcuse (2019)
26,5 cm x 14,5 cm x 13,5 cm
Book, chewing gum, sneaker



Lina Viste Grønli
On Negations (2019)
26 cm x 18,5 cm x 13 cm
Book, chewing gum, boot
(as seen installed in the Public Library, Bergen)



Lina Viste Grønli
Fig. II (2019)
31,5 cm x 4 cm x 6 cm
Twig, brass nails, chewing gum





12.07.2019
Contemporary Art Daily
Lina Viste Grønli at Entrée
CAD promotes contemporary art through a curated
selection of documentation of art exhibitions and events.



20.07.2019
ArtViewer
Lina Viste Grønli at Entrée

ArtViewer promotes contemporary art through a curated
selection of documentation of art exhibitions and events.

Mark