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Opening hours:
Thursday 12—4pm

Friday 12—4pm
Saturday 12—4pm
Sunday 12—4pm


Ann Iren Buan
Falm varsomt, hold om oss
— opens June 19th!



Past Exhibitions
— 2021



Sjur Eide Aas
At Hermit Street Metro Entrance
17.4—6.6



Entrée Cinema:
Esteban Rivera,
Marthe Thorshaug
Cinemateket Bergen



Karin Blomgren
Summen av alle krefter


Entrée Cinema: 
Jon Rafman,
Claudia Maté
at Bergen Filmklubb


Past Exhibitions
— 2021



Lin Wang
Exotic Dreams Tattoo Shop



Unfolding Questions, Codes,
and Contours

at Tromsø Kunstforening


Ida Wieth
wander / wonder



Lilian Nabulime, Bathsheba Okwenje,
Miriam Watsemba, Maria Brinch.
My Mother Is Forgetting My Face.
Curated by Martha Kazungu



Ian Giles
After BUTT
at Kunstnerforbundet


Oliver Ressler
Carbon and Captivity


Sara Wolfert
Head Channel & Lion 
- Waking of the Sleeping Lion Ear



Entrée Cinema
Kjersti Vetterstad
A Beehive in My Heart
at Cinemateket Bergen


Halldis Rønning
Watermusic



Past Exhibitions
— 2019



Kristin Austreid
Et underlig redskap

Bergen Assembly
Actually, the Dead Are Not Dead

Anne de Boer, Eloïse Bonneviot
the Mycological Twist

Kamilla Langeland
Stories of the Mind
(Transitioning Into Uncertainty)


Maria Brinch
INYA LAKE

— at Kunstnernes Hus


Bathsheba Okwenje
Freedom of Movement
at  Kunstnernes Hus

Lina Viste Grønli
Nye skulpturer


Toril Johannessen
SKOGSAKEN (The Forest Case)

Marysia Lewandowska
It’s About Time

(in Venice Biennial)

Films by
Mai Hofstad Gunnes


Isme Film
Collectively Conscious Remembrance


Trond Lossius
Jeremy Welsh
The Atmospherics
River deep, mountain high



Exhibitions 
— 2018



Marjolijn Dijkman
Toril Johannessen
Reclaiming Vision

Damir Avdagic
Reenactment/Process
Reprise/Response


Eivind Egeland
Father of Evil

Marysia Lewandowska
Rehearsing the Museum


Anton Vidokle
Immortality for All: a film trilogy on
Russian Cosmism

Curated by
Ingrid Haug Erstad

Johanna Billing
Pulheim Jam Session,
I’m Gonna Live Anyhow Until I die,
I’m Lost Without Your Rhythm,
This is How We Walk on the Moon,
Magical World


Jenine Marsh
Kneading Wheel, 
Coins and Tokens

Jenine Marsh
Sofia Eliasson
Lasse Årikstad
Johanna Lettmayer
Lewis & Taggar
Jon Benjamin Tallerås
Orientering 
—  a group show in public space


Jon Rafman
Dream Journal
2016-2017


Goutam Ghosh &
Jason Havneraas
PAARA

Ian Giles
After BUTT

Films by Yafei Qi
Wearing The Fog, 
I Wonder Why, 
Life Tells Lies

Exhibitions
— 2017

Daniel Gustav Cramer
Five Days

Kamilla Langeland
Sjur Eide Aas
The Thinker, Flower Pot and Mush

Danilo Correale
Equivalent Unit
Reverie: On the Liberation from Work


Valentin Manz
Useful Junk

Jeannine Han
Dan Riley
Time Flies When Slipping
Counter-Clockwise


Pedro Gómez-Egaña
Pleasure

Ane Graff
Mattering Waves


Andrew Amorim
Lest We Perish

Tom S. Kosmo
Unnatural Selection

Jenine Marsh
Lindsay Lawson

Dear Stranger


Exhibitions
— 2016


ALBUM
Eline Mugaas
Elise Storsveen
How to Feel Like a Woman

DKUK (Daniel Kelly)
Presents: Jóhanna Ellen
Digital Retreat Dot Com

Cato Løland
Folded Lines, Battles and Events

Harald Beharie
Louis Schou-Hansen
(S)kjønn safari 2.0

Lynda Benglis
On Screen
Bergen Assembly

Linn Pedersen
Bjørn Mortensen
Terence Koh
NADA New York

Ida Nissen
Kamilla Langeland
Marthe Elise Stramrud
Christian Tunge
Eivind Egeland
Fading Forms

Anders Holen
Stimulus

Sinta Werner
Vanishing Lines

Exhibitions
— 2015


Bjørn Mortensen
Pouches and Pockets
/ Compositories in Color


Linn Pedersen
Plain Air

Øystein Klakegg
Entrée # 55

Leander Djønne
Petroglyphs of the Indebted Man

Lewis & Taggart
Black Holes and other painted objects


Azar Alsharif
Bjørn Mortensen
Steinar Haga Kristensen
Lewis & Taggart
Vilde Salhus Røed
Heidi Bjørgan
NADA New York

Linda Sormin
Heidi Bjørgan
Collision

Steinar Haga Kristensen
The Fundamental Part of Any Act

Exhibitions
—2014


Tora Endestad Bjørkheim
Bjørn-Henrik Lybeck


Mathijs van Geest
The passenger eclipsed
the object that I could have
seen otherwise


Marit Følstad
Sense of Doubt

Oliver Laric
Yuanmingyuan3D

Terence Koh
sticks, stones and bones 

Kristin Tårnesvik
Espen Sommer Eide
Korsmos ugressarkiv

Exhibitions
— 2013


André Tehrani
Lost Allusions


Pedro Gómez-Egaña
Object to be Destroyed


Flag New York City

Christian von Borries
I’m M
Institute of Political Hallucinations
Bergen Assembly

Dillan Marsh
June Twenty-First

Vilde Salhus Røed
For the Sake of Colour


Azar Alsharif
The distant things seem close (…)
the close remote (…) the air is loaded


Magnhild Øen Nordahl
Omar Johnsen
Trialog

Lars Korff Lofthus
New Work

Exhibitions
— 2012


Anngjerd Rustan
The Dust Will Roll Together

Cato Løland
Oliver Pietsch
Love is Old, Love is New

Stian Ådlandsvik
Abstract Simplicity of Need

Sinta Werner
Something that stands for
Something / Double
Described Tautologies


Kjersti Vetterstad
Lethargia

Anna Lundh
Grey Zone

Arne Rygg
Borghild Rudjord Unneland
Lisa Him-Jensen
Cato Løland
Lewis & Taggart
Klara Sofie Ludvigsen
Magnhild Øen Nordahl
Mathijs van Geest
Andrea Spreafico
Flag Bergen

Exhibitions
— 2011


Karen Skog & Mia Øquist
Skog & Øquist systematiserer

Danilo Correale
We Are Making History

Sveinung Rudjord Unneland
U.T.

Ethan Hayes-Chute
Make/Shifted Cabin

Ebba Bohlin
Per-Oskar Leu
Kaia Hugin
Pica Pica

Gabriel Kvendseth
First We Take Mannahatta

Roger von Reybekiel
Do Everything Fantastic

Exhibitions
— 2010



Michael Johansson
27m3

Tone Wolff Kalstad
This Color Is Everywhere


Knud Young Lunde
Road Show Event Plan


Alison Carey
Ivan Twohig
Benjamin Gaulon
On The In-Between


Mercedes Mühleisen
Øyvind Aspen
Birk Bjørlo
Damir Avdagic
Annette Stav Johanssen
If Everything Else Fails...

Mart
Ciara Scanlan
Matthew Nevin
An Instructional

Patrick Wagner
Nina Nowak
Samuel Seger Patricia Wagner
South of No North

Gandt
Agnes Nedregaard Midskills
Patrick Coyle
Boogey Boys Santiago Mostyn
Bergen Biennale 2010 by Ytter

Lars Korff Lofthus
West Norwegian Pavilion


Serina Erfjord
Repeat


Mattias Arvastsson
Presence No.5


Malin Lennström-Örtwall
It`s like Nothing Ever Happened

Exhibitions
— 2009


Tor Navjord
FM/AM

Ragnhild Johansen
Erased Knot Painting


Entrée Radio


Lewis and Taggart
Ledsagende lydspor


In Conversation:
Gómez-Egaña and
Mathijs van Geest


In Conversation:
Andrew Amorim and
Mitch Speed


In Conversation:
Ane Graff and Alex Klein


In Conversation:
Martin Clark and Daniel Kelly


Ludo Sounds with
Tori Wrånes




In Conversation:
Stine Janvin Motland,
Kusum Normoyle,
Mette Rasmussen,
Cara Stewart



Randi Grov Berger
Contact/Info/CV
Other projects







Mark
May 26th, 2021

Esteban Rivera x Marthe Thorshaug

curated by Tatiana Lozano


at Cinemateket i Bergen
Georgernes Verft 12 (tickets here!)




Entrée Cinema together with Cinemateket i Bergen presents a screening with a total of four works by Colombian artist Esteban Rivera and Norwegian artist Marthe Thorshaug. The five short films presented are a combination of documentary and fiction related to ideologies on human nature, architecture, cosmology, wild nature; narratives that enter in dialogue when looking at the work of the two artists.

This duo presentation at Cinmateket is a warmup to new upcoming commissions by Rivera and Thorshaug to be premiered in 2023. There will be a Q+A (in English) after the screening, with both artists, moderated by Tatiana Lozano, curator for Entrée Cinema. We will be discussing their practice, the challenges for art film making and pivotal common and uncommon points in their work.

Esteban Rivera:
Steno – a film trilogy
Die Versteinerten (7m 40 min)
Firmamentum Continuitas (11 min)
Wisdom Teeth (11 min)


The film trilogy Steno by Esteban Rivera deals with the relationship between death and the idea of preservation as a cultural value. It is a dialogue between science and religion; therefore, it plays with the tension between opposite ideologies. The characters in the films bring us into buildings which main function and intention is to preserve ideas; architectonical monuments, libraries and museums are all secular spaces whose purpose is the preservation of objects, ideas and discourses.

In Die Versteinerten (2015) David Stodolsky, a member of the Cryonics Institute, guides us through the Building-Monument, built over the previous house of Walter Gropius in Dessau, Germany. Renovated by Bruno Fioretti Marquez Architects in 2008, the construction reproduces the original volume of Gropius’ house. In the film that follows an interview with David Stodolsky the house works as a metaphor of what is fossilized. The idea of Modernism remains in this case in a fossil state and survives in time as a trace of what once was.

Firmamentum Continuitas (2016) is a film about Gennady Baranov, an ex-cosmonaut that used to have undercover interviews with the pope Paul VI. During the space race the Vatican was concerned about the space infringement trespassing in the territories they ruled for centuries. For this reason, they decided to pact the limits of the sky by defining in light-years how big the universe is and thus where the metaphorical catholic heaven could be located.

Wisdom Teeth (2017) is based on the research done by the danish scientist Nicolas Steno (1638-1686) on geology. The film trilogy is named after him and honors his dialectical thoughts about religion and science. Wisdom Teeth was filmed in Piedemont, Italy, where the first edition of his work is stored today. His investigation centers around the Glossopetrae – a fossilized shark tooth commonly found on the Italian landscapes. The research studies led Steno to propose laws about the formation of the terrestrial layers and to conciliate these new ideas with his religious believes.




Marthe Thorshaug:
Human Wild (48 min)

– What animal are you?

The film Human Wild (2020examines what differs us humans from the other animals. The film focuses on subtle everyday situations where our original animal instincts kick in.

In Human Wild we follow a pack of humans encountering other animal packs. Six people are gathered in a course-like scenario to explore their original animal instincts. They have to figure out their rank, what instincts hold their pack together, and they discover new things about themselves. But when the humans meet a wolf pack and fear sets in, what happens then? Human Wild is an art film crossing genres as documentary, nature film and thriller.

Marthe Thorshaug has through her productions, developed her own cinematic language by deliberately mixing styles from different genres. The result is unpredictable films, where the boundary between what is real and what is fiction, is blurred.


About the filmmakers
Esteban Rivera is born in Colombia and currently works in Berlin. He received a master’s degree in Art and Media from the Universität der Künste, Berlin (Arts University in Berlin) under Prof. Anna Anders and Prof. Ai Weiwei. He received a master’s degree in Arts from the National University of Colombia, where he also studied Graphic Design. His work was selected for Kasseler Dokfest 2017 and was nominated to the Golden Key. His work has been exhibited in EEUU, Mexico, Indonesia, Colombia and Germany.

Marthe Thorshaug studied at the National Academy of Fine Arts in Oslo. Her films have been screened at numerous art institutions, museums and film festivals around the world, among others The Phillips Collection (Washington DC, US), Whitechapel Gallery (London, UK), Momentum Biennale (Moss, NO). Thorshaug runs her own film production company Nerhagen Productions. Nerhagen is the name of the little farm where she grew up, and where she lives and works today.














Mark