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Randi Grov Berger

︎︎︎ ︎ ︎

Emily Weiner
I took my lyre and said

︎ ︎︎︎︎

Past Projects  
— 2022

Cato Løland
Turning Strangers Into Family

Andrea Spreafico
Poor Dictionary (from Distance to Rage)

Cato Løland
Paris Internationale

Marco Bruzzone
GLUB CLUB (An Underwater Turmoil)

Lera Sxemka
Artists in Residency

Nastya Feschuk
Artist in Residency

Tuda Muda,
Sigrún Hlín Sigurðardóttir,
Unn Devik
Artists in Residency

Ivana Králíková
Future City Earth Systems
Artists in Residency

T-Yard Writers Residency
︎ www.t-yard.com

Karoline Hjorth & Riitta Ikonen
Eyes as Big as Plates

Entrée Cinema
Lasse Årikstad
Bergen Filmklubb

Pamflett & BABF
Bergen Art Book Library

Magnhild Øen Nordahl
Oppløyste abstraksjonar

Past Exhibitions
— 2021

- a group exhibition

Entrée Cinema
Calderón & Piñeros
Paul Tunge &
Egil Håskjold Larsen
Cinemateket i Bergen

Kåre Aleksander Grundvåg

Dan Brown Brønlund
Magnus Håland Sunde
Linda Morell

Lisa Seebach
I’d Rather Be Rehearsing the Future

Entrée Cinema:
Ina Porselius
Bergen Filmklubb

Ann Iren Buan
Falm varsomt, hold om oss

Sjur Eide Aas
At Hermit Street Metro Entrance

Entrée Cinema:
Esteban Rivera,
Marthe Thorshaug
Cinemateket Bergen

Karin Blomgren
Summen av alle krefter

Entrée Cinema: 
Jon Rafman,
Claudia Maté
at Bergen Filmklubb

Past Exhibitions
— 2020

Lin Wang
Exotic Dreams Tattoo Shop

Unfolding Questions, Codes,
and Contours

at Tromsø Kunstforening

Ida Wieth
wander / wonder

Lilian Nabulime, Bathsheba Okwenje,
Miriam Watsemba, Maria Brinch.
My Mother Is Forgetting My Face.
Curated by Martha Kazungu

Ian Giles
After BUTT
at Kunstnerforbundet

Oliver Ressler
Carbon and Captivity

Sara Wolfert
Head Channel & Lion 
- Waking of the Sleeping Lion Ear

Entrée Cinema
Kjersti Vetterstad
A Beehive in My Heart
at Cinemateket Bergen

Halldis Rønning

Past Exhibitions
— 2019

Kristin Austreid
Et underlig redskap

Bergen Assembly
Actually, the Dead Are Not Dead

Anne de Boer, Eloïse Bonneviot
the Mycological Twist

Kamilla Langeland
Stories of the Mind
(Transitioning Into Uncertainty)

Maria Brinch

— at Kunstnernes Hus

Bathsheba Okwenje
Freedom of Movement
at  Kunstnernes Hus

Lina Viste Grønli
Nye skulpturer

Toril Johannessen
SKOGSAKEN (The Forest Case)

Marysia Lewandowska
It’s About Time

(in Venice Biennial)

Films by
Mai Hofstad Gunnes

Isme Film
Collectively Conscious Remembrance

Trond Lossius
Jeremy Welsh
The Atmospherics
River deep, mountain high

— 2018

Marjolijn Dijkman
Toril Johannessen
Reclaiming Vision

Damir Avdagic

Eivind Egeland
Father of Evil

Marysia Lewandowska
Rehearsing the Museum

Anton Vidokle
Immortality for All: a film trilogy on
Russian Cosmism

Curated by
Ingrid Haug Erstad

Johanna Billing
Pulheim Jam Session,
I’m Gonna Live Anyhow Until I die,
I’m Lost Without Your Rhythm,
This is How We Walk on the Moon,
Magical World

Jenine Marsh
Kneading Wheel, 
Coins and Tokens

Jenine Marsh
Sofia Eliasson
Lasse Årikstad
Johanna Lettmayer
Lewis & Taggar
Jon Benjamin Tallerås
—  a group show in public space

Jon Rafman
Dream Journal

Goutam Ghosh &
Jason Havneraas

Ian Giles
After BUTT

Films by Yafei Qi
Wearing The Fog, 
I Wonder Why, 
Life Tells Lies

— 2017

Daniel Gustav Cramer
Five Days

Kamilla Langeland
Sjur Eide Aas
The Thinker, Flower Pot and Mush

Danilo Correale
Equivalent Unit
Reverie: On the Liberation from Work

Valentin Manz
Useful Junk

Jeannine Han
Dan Riley
Time Flies When Slipping

Pedro Gómez-Egaña

Ane Graff
Mattering Waves

Andrew Amorim
Lest We Perish

Tom S. Kosmo
Unnatural Selection

Jenine Marsh
Lindsay Lawson

Dear Stranger

— 2016

Eline Mugaas
Elise Storsveen
How to Feel Like a Woman

DKUK (Daniel Kelly)
Presents: Jóhanna Ellen
Digital Retreat Dot Com

Cato Løland
Folded Lines, Battles and Events

Harald Beharie
Louis Schou-Hansen
(S)kjønn safari 2.0

Lynda Benglis
On Screen
Bergen Assembly

Linn Pedersen
Bjørn Mortensen
Terence Koh
NADA New York

Ida Nissen
Kamilla Langeland
Marthe Elise Stramrud
Christian Tunge
Eivind Egeland
Fading Forms

Anders Holen

Sinta Werner
Vanishing Lines

— 2015

Bjørn Mortensen
Pouches and Pockets
/ Compositories in Color

Linn Pedersen
Plain Air

Øystein Klakegg
Entrée # 55

Leander Djønne
Petroglyphs of the Indebted Man

Lewis & Taggart
Black Holes and other painted objects

Azar Alsharif
Bjørn Mortensen
Steinar Haga Kristensen
Lewis & Taggart
Vilde Salhus Røed
Heidi Bjørgan
NADA New York

Linda Sormin
Heidi Bjørgan

Steinar Haga Kristensen
The Fundamental Part of Any Act


Tora Endestad Bjørkheim
Bjørn-Henrik Lybeck

Mathijs van Geest
The passenger eclipsed
the object that I could have
seen otherwise

Marit Følstad
Sense of Doubt

Oliver Laric

Terence Koh
sticks, stones and bones 

Kristin Tårnesvik
Espen Sommer Eide
Korsmos ugressarkiv

— 2013

André Tehrani
Lost Allusions

Pedro Gómez-Egaña
Object to be Destroyed

Flag New York City

Christian von Borries
I’m M
Institute of Political Hallucinations
Bergen Assembly

Dillan Marsh
June Twenty-First

Vilde Salhus Røed
For the Sake of Colour

Azar Alsharif
The distant things seem close (…)
the close remote (…) the air is loaded

Magnhild Øen Nordahl
Omar Johnsen

Lars Korff Lofthus
New Work

— 2012

Anngjerd Rustan
The Dust Will Roll Together

Cato Løland
Oliver Pietsch
Love is Old, Love is New

Stian Ådlandsvik
Abstract Simplicity of Need

Sinta Werner
Something that stands for
Something / Double
Described Tautologies

Kjersti Vetterstad

Anna Lundh
Grey Zone

Arne Rygg
Borghild Rudjord Unneland
Lisa Him-Jensen
Cato Løland
Lewis & Taggart
Klara Sofie Ludvigsen
Magnhild Øen Nordahl
Mathijs van Geest
Andrea Spreafico
Flag Bergen

— 2011

Karen Skog & Mia Øquist
Skog & Øquist systematiserer

Danilo Correale
We Are Making History

Sveinung Rudjord Unneland

Ethan Hayes-Chute
Make/Shifted Cabin

Ebba Bohlin
Per-Oskar Leu
Kaia Hugin
Pica Pica

Gabriel Kvendseth
First We Take Mannahatta

Roger von Reybekiel
Do Everything Fantastic

— 2010

Michael Johansson

Tone Wolff Kalstad
This Color Is Everywhere

Knud Young Lunde
Road Show Event Plan

Alison Carey
Ivan Twohig
Benjamin Gaulon
On The In-Between

Mercedes Mühleisen
Øyvind Aspen
Birk Bjørlo
Damir Avdagic
Annette Stav Johanssen
If Everything Else Fails...

Ciara Scanlan
Matthew Nevin
An Instructional

Patrick Wagner
Nina Nowak
Samuel Seger Patricia Wagner
South of No North

Agnes Nedregaard Midskills
Patrick Coyle
Boogey Boys Santiago Mostyn
Bergen Biennale 2010 by Ytter

Lars Korff Lofthus
West Norwegian Pavilion

Serina Erfjord

Mattias Arvastsson
Presence No.5

Malin Lennström-Örtwall
It`s like Nothing Ever Happened

— 2009

Tor Navjord

Ragnhild Johansen
Erased Knot Painting

Entrée Radio

Lewis and Taggart
Ledsagende lydspor

In Conversation:
Gómez-Egaña and
Mathijs van Geest

In Conversation:
Andrew Amorim and
Mitch Speed

In Conversation:
Ane Graff and Alex Klein

In Conversation:
Martin Clark and Daniel Kelly

Ludo Sounds with
Tori Wrånes

In Conversation:
Stine Janvin Motland,
Kusum Normoyle,
Mette Rasmussen,
Cara Stewart

Randi Grov Berger
Other projects

February  28th — April 12th, 2020

Sara Wolfert
Head Channel & Lion  - Waking of the Sleeping Lion Ear

Sara Wolfert, Head Channel & Lion- Waking of the Sleeping Lion Ear (2020), animation

Sara Wolfert, Head Channel & Lion- Waking of the Sleeping Lion Ear (2020) is made available online, click vimeo link above for fullscreen.

Sara Wolfert
'Head Channel & Lion - Waking of the Sleeping Lion Ear' (2020)
Animation, 18 min
Format: 16:9
Language: English
Manuscript & Animation by: Sara Wolfert
Voiced by: John Seth
Sound by: Thomas Jansson
Post production and animation help from: Simon Karlsson (Gulfilm), Karl Stigland
Online by: Julia Stanislawska

Entrée presents Sara Wolfert's installation Head Channel & Lion  - Waking of the Sleeping Lion Ear, a work that has arisen from her interest in a copyright case around a famous song, best known as "The Lion Sleeps Tonight", with previous titles  "Wimoweh" and "Mbube". A song that Norwegians probably know best from the movie "The Lion King". The song, which has been a major hit several times (in various forms) during the 20th century, became the subject of scandal when it was revealed in the early 2000s that the original author had been completely erased from the history of the song's origins. Solomon Linda, the author, was active as a singer in Johannesburg in the first half of the 20th century. He died as a poor man in 1962, around the same time that the do-wop band The Tokens, on the other side of the Atlantic, dropped the mega hit version of his song. Through the songs’ long and prosperous path, it has been performed, sampled, copied and used by several different artists and record companies without there being any reference to Solomon Linda. It would take decades of transatlantic transaction, controversy and full on theft before the truth of the song was brought into light. When the story was finally told, it received attention and the ripple effects that would eventually lead to legal prosecution in a situation ‘against all odds’. Sara Wolfert brings the story into a broader framework, with an installation that includes sculpture, animation and performative elements.

Sara Wolfert (b.1980, Sweden) lives and works between Stockholm and Berlin. She graduated from Konstfack University in Stockholm. Her artistic practice focuses on storytelling, manuscripts, archives and appropriation in various forms. Questions that are central to her practice are who has access to, and the opportunity to use, our public and semi-public spaces. She often uses historical or contemporary events as a starting point for her investigative research, and is interested in intertwined authorship and different types of collaboration. She employs media such as drawing, animation, installation, text and performance.

Sara Wolfert, Spinning Wheel (CMYK) (2020), ceramic, stone plaster, acrylic (left), Studies for a Stage II (2019), wood, steel (right).


Entrée presenterer Sara Wolferts installasjon Head Channel & Lion  - Waking of the Sleeping Lion Ear, et arbeid som har oppstått fra hennes interesse i en opphavsrettslig sak rundt en berømt sang, mest kjent som ”The Lion Sleeps Tonight” med tidligere titler som ”Wimoweh” og ”Mbube”. En sang som vi nordmenn nok kjenner best fra filmen ”Løvenes konge”. Sangen, som har vært en megahit flere ganger (i forskjellige former) under 1900-tallet, ble emne for skandale da det kom frem i begynnelsen av 2000-tallet at den opprinnelige opphavsmannen helt hadde blitt slettet fra historien om sangens opprinnelse. Solomon Linda, opphavsmannen, var aktiv som sanger i Johannesburg i første halvdel av 1900-tallet. Han døde fattig i 1962, omtrent rundt samme tid som do-wop-bandet The Tokens på den andre siden av Atlanteren slapp megahit-varianten av hans låt. Under sangens lange seierstog, har den blitt samplet og kopiert av flere ulike artister og plateselskap uten noen referanse til Solomon Linda. Det skulle ta mange tiår med transatlantisk transaksjon, kontrovers og fullverdig tyveri, før sannheten til denne sangen ble oppdaget. Da historien endelig ble fortalt, fikk det oppmerksomhet og opprop med ringvirkninger som førte til rettslig påtale, mot alle odds. Sara Wolfert bringer historien inn i et bredere rammeverk, med en installasjon som vil inkluderer skulptur, animasjon og performative element.

Sara Wolfert (f.1980, Sverige) bor og arbeider mellom Stockholm og Berlin. Hun har sin utdannelse fra Konstfack universitet i Stockholm. Hennes kunstneriske praksis fokuserer på historiefortellingen, manuskripter, arkiv og appropriering i ulike former. Spørsmål som står sentralt i hennes praksis er hvem som har tilgang til, og mulighet for å ta i bruk vårt offentlige og semi-offentlige rom. Hun bruker ofte historiske eller nåtidige hendelser som utgangspunkt for sin undersøkende granskning og tar ofte i bruk sammenflettede forfatterskap og samarbeid. Hun tar i bruk utrykk som tegning, animasjon, installasjon, tekst og performance.

Sara Wolfert, Ear Channel (above), Grip (under). Photo: Thor Brødreskift

Sara Wolfert, Lion Sauce (2018), animation

Sara Wolfert, Head Channel & Lion- Waking of the Sleeping Lion Ear (2020), animation (detail).

Sara Wolfert, Lion Channels (2020), drawing on acoustic isolation foam, steel

Sara Wolfert, Lion Channels (2020), drawing on acoustic isolation foam, steel (detail)

Sara Wolfert, Ear Channel (2017), mixed material (above), Grip (2019), drawing on vinyl (under).

Sara Wolfert, Painted Lion (2018), animation

Sara Wolfert, Spinning Wheel (CMYK) (2020), ceramic, stone plaster, acrylic (detail)

Sara Wolfert, Perennial Dig (2020), steel, wood, ceramic

Sara Wolfert, Spinning Wheel (CMYK) (2020), ceramic, stone plaster, acrylic (detail)

Entrée, exterior view, March 9th, 2020