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Opening hours:
Thursday 12—4pm

Friday 12—4pm
Saturday 12—4pm
Sunday 12—4pm

Magnhild Øen Nordahl
Oppløyste abstraksjonar

Oseana Kunst og Kultursenter 
+ Entrée
Opnar 5.februar!

Past Exhibitions
— 2022

- a group exhibition

Past Exhibitions
— 2021

Entrée Cinema
Calderón & Piñeros
Paul Tunge &
Egil Håskjold Larsen
Cinemateket i Bergen

Kåre Aleksander Grundvåg

Dan Brown Brønlund
Magnus Håland Sunde
Linda Morell

Lisa Seebach
I’d Rather Be Rehearsing the Future

Entrée Cinema:
Ina Porselius
Bergen Filmklubb

Ann Iren Buan
Falm varsomt, hold om oss

Sjur Eide Aas
At Hermit Street Metro Entrance

Entrée Cinema:
Esteban Rivera,
Marthe Thorshaug
Cinemateket Bergen

Karin Blomgren
Summen av alle krefter

Entrée Cinema: 
Jon Rafman,
Claudia Maté
at Bergen Filmklubb

Past Exhibitions
— 2020

Lin Wang
Exotic Dreams Tattoo Shop

Unfolding Questions, Codes,
and Contours

at Tromsø Kunstforening

Ida Wieth
wander / wonder

Lilian Nabulime, Bathsheba Okwenje,
Miriam Watsemba, Maria Brinch.
My Mother Is Forgetting My Face.
Curated by Martha Kazungu

Ian Giles
After BUTT
at Kunstnerforbundet

Oliver Ressler
Carbon and Captivity

Sara Wolfert
Head Channel & Lion 
- Waking of the Sleeping Lion Ear

Entrée Cinema
Kjersti Vetterstad
A Beehive in My Heart
at Cinemateket Bergen

Halldis Rønning

Past Exhibitions
— 2019

Kristin Austreid
Et underlig redskap

Bergen Assembly
Actually, the Dead Are Not Dead

Anne de Boer, Eloïse Bonneviot
the Mycological Twist

Kamilla Langeland
Stories of the Mind
(Transitioning Into Uncertainty)

Maria Brinch

— at Kunstnernes Hus

Bathsheba Okwenje
Freedom of Movement
at  Kunstnernes Hus

Lina Viste Grønli
Nye skulpturer

Toril Johannessen
SKOGSAKEN (The Forest Case)

Marysia Lewandowska
It’s About Time

(in Venice Biennial)

Films by
Mai Hofstad Gunnes

Isme Film
Collectively Conscious Remembrance

Trond Lossius
Jeremy Welsh
The Atmospherics
River deep, mountain high

— 2018

Marjolijn Dijkman
Toril Johannessen
Reclaiming Vision

Damir Avdagic

Eivind Egeland
Father of Evil

Marysia Lewandowska
Rehearsing the Museum

Anton Vidokle
Immortality for All: a film trilogy on
Russian Cosmism

Curated by
Ingrid Haug Erstad

Johanna Billing
Pulheim Jam Session,
I’m Gonna Live Anyhow Until I die,
I’m Lost Without Your Rhythm,
This is How We Walk on the Moon,
Magical World

Jenine Marsh
Kneading Wheel, 
Coins and Tokens

Jenine Marsh
Sofia Eliasson
Lasse Årikstad
Johanna Lettmayer
Lewis & Taggar
Jon Benjamin Tallerås
—  a group show in public space

Jon Rafman
Dream Journal

Goutam Ghosh &
Jason Havneraas

Ian Giles
After BUTT

Films by Yafei Qi
Wearing The Fog, 
I Wonder Why, 
Life Tells Lies

— 2017

Daniel Gustav Cramer
Five Days

Kamilla Langeland
Sjur Eide Aas
The Thinker, Flower Pot and Mush

Danilo Correale
Equivalent Unit
Reverie: On the Liberation from Work

Valentin Manz
Useful Junk

Jeannine Han
Dan Riley
Time Flies When Slipping

Pedro Gómez-Egaña

Ane Graff
Mattering Waves

Andrew Amorim
Lest We Perish

Tom S. Kosmo
Unnatural Selection

Jenine Marsh
Lindsay Lawson

Dear Stranger

— 2016

Eline Mugaas
Elise Storsveen
How to Feel Like a Woman

DKUK (Daniel Kelly)
Presents: Jóhanna Ellen
Digital Retreat Dot Com

Cato Løland
Folded Lines, Battles and Events

Harald Beharie
Louis Schou-Hansen
(S)kjønn safari 2.0

Lynda Benglis
On Screen
Bergen Assembly

Linn Pedersen
Bjørn Mortensen
Terence Koh
NADA New York

Ida Nissen
Kamilla Langeland
Marthe Elise Stramrud
Christian Tunge
Eivind Egeland
Fading Forms

Anders Holen

Sinta Werner
Vanishing Lines

— 2015

Bjørn Mortensen
Pouches and Pockets
/ Compositories in Color

Linn Pedersen
Plain Air

Øystein Klakegg
Entrée # 55

Leander Djønne
Petroglyphs of the Indebted Man

Lewis & Taggart
Black Holes and other painted objects

Azar Alsharif
Bjørn Mortensen
Steinar Haga Kristensen
Lewis & Taggart
Vilde Salhus Røed
Heidi Bjørgan
NADA New York

Linda Sormin
Heidi Bjørgan

Steinar Haga Kristensen
The Fundamental Part of Any Act


Tora Endestad Bjørkheim
Bjørn-Henrik Lybeck

Mathijs van Geest
The passenger eclipsed
the object that I could have
seen otherwise

Marit Følstad
Sense of Doubt

Oliver Laric

Terence Koh
sticks, stones and bones 

Kristin Tårnesvik
Espen Sommer Eide
Korsmos ugressarkiv

— 2013

André Tehrani
Lost Allusions

Pedro Gómez-Egaña
Object to be Destroyed

Flag New York City

Christian von Borries
I’m M
Institute of Political Hallucinations
Bergen Assembly

Dillan Marsh
June Twenty-First

Vilde Salhus Røed
For the Sake of Colour

Azar Alsharif
The distant things seem close (…)
the close remote (…) the air is loaded

Magnhild Øen Nordahl
Omar Johnsen

Lars Korff Lofthus
New Work

— 2012

Anngjerd Rustan
The Dust Will Roll Together

Cato Løland
Oliver Pietsch
Love is Old, Love is New

Stian Ådlandsvik
Abstract Simplicity of Need

Sinta Werner
Something that stands for
Something / Double
Described Tautologies

Kjersti Vetterstad

Anna Lundh
Grey Zone

Arne Rygg
Borghild Rudjord Unneland
Lisa Him-Jensen
Cato Løland
Lewis & Taggart
Klara Sofie Ludvigsen
Magnhild Øen Nordahl
Mathijs van Geest
Andrea Spreafico
Flag Bergen

— 2011

Karen Skog & Mia Øquist
Skog & Øquist systematiserer

Danilo Correale
We Are Making History

Sveinung Rudjord Unneland

Ethan Hayes-Chute
Make/Shifted Cabin

Ebba Bohlin
Per-Oskar Leu
Kaia Hugin
Pica Pica

Gabriel Kvendseth
First We Take Mannahatta

Roger von Reybekiel
Do Everything Fantastic

— 2010

Michael Johansson

Tone Wolff Kalstad
This Color Is Everywhere

Knud Young Lunde
Road Show Event Plan

Alison Carey
Ivan Twohig
Benjamin Gaulon
On The In-Between

Mercedes Mühleisen
Øyvind Aspen
Birk Bjørlo
Damir Avdagic
Annette Stav Johanssen
If Everything Else Fails...

Ciara Scanlan
Matthew Nevin
An Instructional

Patrick Wagner
Nina Nowak
Samuel Seger Patricia Wagner
South of No North

Agnes Nedregaard Midskills
Patrick Coyle
Boogey Boys Santiago Mostyn
Bergen Biennale 2010 by Ytter

Lars Korff Lofthus
West Norwegian Pavilion

Serina Erfjord

Mattias Arvastsson
Presence No.5

Malin Lennström-Örtwall
It`s like Nothing Ever Happened

— 2009

Tor Navjord

Ragnhild Johansen
Erased Knot Painting

Entrée Radio

Lewis and Taggart
Ledsagende lydspor

In Conversation:
Gómez-Egaña and
Mathijs van Geest

In Conversation:
Andrew Amorim and
Mitch Speed

In Conversation:
Ane Graff and Alex Klein

In Conversation:
Martin Clark and Daniel Kelly

Ludo Sounds with
Tori Wrånes

In Conversation:
Stine Janvin Motland,
Kusum Normoyle,
Mette Rasmussen,
Cara Stewart

Randi Grov Berger
Other projects

March 7th — March 17th, 2019

Films by
Mai Hofstad Gunnes

Screens Thu- Sun
Starts 5, 6 & 7pm  (duration 35 min)

Mai Hofstad Gunnes Wave, Whip, Fan, film still.

Entrée is completing our one-year cinema program by screening two films by Oslo-based artist Mai Hofstad Gunnes. In her artistic practice involving 16mm film, video installations, collage and photography, Mai Hofstad Gunnes reflect on fundamental mechanisms in our associative processes and how we unconsciously put together ideas and images based on our experiences, surroundings and historical context. Her works show an interest in how contemporary channels of communication distort existing power structures and possibly pervert historical ideal types. Consequently, by looking at these developments from a historical, psychoanalytical and feminist perspective, she seeks to investigate the underlying potential in our time.

Mai Hofstad Gunnes (b.1977, Lørenskog, Norway) studied at Universität der Kunste, Berlin, CCA Kitakyushu, Japan, and Trondheim Academy of Fine Art, Norway, where she received her MFA in 2004. Solo exhibitions include B. The Second Letter at Baltic 39, Gateshead/Newcastle (UK); Proverbs for Ouroborosat Trondheim Art Museum (NO); Baby Snakes Hatching. Ruins.Ruins at UKS, Young Artists’ Society, Oslo (NO); Bike and Bolex at WIELS Contemporary Art Centre, Brussels (BEL), and A shape of love you can never imagine at Oslo Kunstforening (NO). Her work has been included in exhibitions at Kunsthall Oslo (NO), Oppland Art Centre (NO), Stavanger Kunsthall (NO), CAC, Contemporary Art Centre, Vilnius (LTU), Momentum 7, Nordic Biennial for Contemporary Art, Moss (NO), Temporary Gallery, Cologne (DE) and The National Musem Art Architecture and Design, Oslo (NO). She has participated in the residencies HIGH-NORTH- Tromsø Kunstforening/ Tromsø Academy of Contemporary Art (NO); CCA Glasgow- BALTIC Centre for Contemporary Art (UK); W17- Kunstnernes Hus (NO); WIELS Contemporary Art Centre Brussels (BEL); La Cite International, Paris (FR) and IASPIS- International Artist Studio Program in Stockholm (SE). She is currently working on her upcoming project Celler og Vev including a new film where genetics and the practice of weaving are connected.

About the films

Mai Hofstad Gunnes, B. The Second Letter, film still.

Mai Hofstad Gunnes
B. The Second Letter, 2015
22' 43''

16mm film transferred to HD video, stereo audio

A woman is confronted with an unknown decision that leads to a change in the way she associates. Her interest in the letter B as a sign for a specific person changes into an obsession in building an image archive of women that all have in common their last name starts with the letter B. The film embodies the main character's association process and stages the creation of an image archive, which could also exist as a parallel to an artistic practice. The film explores the buried impulses that lie behind our desire to collect and organize our experience of the world, while at the same time offering a feminist image of cultural history.

Director/Producer: Mai Hofstad Gunnes
Cast: Rahel Savoldelli, Tormod Carlsen, Heidi Dalene, Rannei Grenne, Sigrid Marie Kittelsaa Vesaas, Eivind Seljeseth
Director of Photography: Marte Vold
First Camera Assistant: Egil Håskjold Larsen
First Assistant Director: Steinar Haga Kristensen
Sound: Fanny Wadman
Editor: Cristóvão dos Reis and Mai Hofstad Gunnes
Sound design: Jochen Jezussek
Grading: Christian Berg-Nielsen

Mai Hofstad Gunnes Wave, Whip, Fan, film still.

Mai Hofstad Gunnes
Wave, Whip, Fan, 2017
11' 22''
HD video, stereo audio

The film Wave, Whip, Fan imagines the complex impact that the relocation of a pond might have on a subject´s identity. A small pond called Gulltjønn located in Gudbrandsdalen, Norway, was moved a couple of hundred meters due to the construction of a new highway. The subject’s world’s genetic strain is literally and geographically refigured, as the pond with it’s interacting organisms repositions. And this is in turn inflicting with the subject’s capacity to bring back memories or remember images. The title of the film refers to tail movements performed by the male smooth newt, Triturus Vulgaris, during courtship.

Director/Producer: Mai Hofstad Gunnes
Voice: Veslemøy Mørkrid
Director of Photography: Cecilie Semec
First Camera Assistant: Mattias Pollak
Sound on Location: Therese Næss Diesen
Editor: Vårin Andersen
Supervising Sound Editor: Rune Baggerud
Colorist: Christian Berg-Nielsen, Sement & Betong

Subtitles: Vårin Andersen
English Translation: Johnny Herbert