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Opening hours:
Thursday 12—4pm

Friday 12—4pm
Saturday 12—4pm
Sunday 12—4pm

Nov 26th:
Entrée Cinema
Calderón & Piñeros
Paul Tunge &
Egil Håskjold Larsen
Cinemateket i Bergen

--

Nov 27th:
SIGLA BINDA
- a group exhibition



Past Exhibitions
— 2021


Kåre Aleksander Grundvåg
Grunnarbeid



B3IG3
REACTION VIDEOS
Dan Brown Brønlund
Magnus Håland Sunde
Linda Morell



Lisa Seebach
I’d Rather Be Rehearsing the Future



Entrée Cinema:
Ina Porselius
Bergen Filmklubb



Ann Iren Buan
Falm varsomt, hold om oss



Sjur Eide Aas
At Hermit Street Metro Entrance



Entrée Cinema:
Esteban Rivera,
Marthe Thorshaug
Cinemateket Bergen



Karin Blomgren
Summen av alle krefter


Entrée Cinema: 
Jon Rafman,
Claudia Maté
at Bergen Filmklubb


Past Exhibitions
— 2020



Lin Wang
Exotic Dreams Tattoo Shop



Unfolding Questions, Codes,
and Contours

at Tromsø Kunstforening


Ida Wieth
wander / wonder



Lilian Nabulime, Bathsheba Okwenje,
Miriam Watsemba, Maria Brinch.
My Mother Is Forgetting My Face.
Curated by Martha Kazungu



Ian Giles
After BUTT
at Kunstnerforbundet


Oliver Ressler
Carbon and Captivity


Sara Wolfert
Head Channel & Lion 
- Waking of the Sleeping Lion Ear



Entrée Cinema
Kjersti Vetterstad
A Beehive in My Heart
at Cinemateket Bergen


Halldis Rønning
Watermusic



Past Exhibitions
— 2019



Kristin Austreid
Et underlig redskap

Bergen Assembly
Actually, the Dead Are Not Dead

Anne de Boer, Eloïse Bonneviot
the Mycological Twist

Kamilla Langeland
Stories of the Mind
(Transitioning Into Uncertainty)


Maria Brinch
INYA LAKE

— at Kunstnernes Hus


Bathsheba Okwenje
Freedom of Movement
at  Kunstnernes Hus

Lina Viste Grønli
Nye skulpturer


Toril Johannessen
SKOGSAKEN (The Forest Case)

Marysia Lewandowska
It’s About Time

(in Venice Biennial)

Films by
Mai Hofstad Gunnes


Isme Film
Collectively Conscious Remembrance


Trond Lossius
Jeremy Welsh
The Atmospherics
River deep, mountain high



Exhibitions 
— 2018



Marjolijn Dijkman
Toril Johannessen
Reclaiming Vision

Damir Avdagic
Reenactment/Process
Reprise/Response


Eivind Egeland
Father of Evil

Marysia Lewandowska
Rehearsing the Museum


Anton Vidokle
Immortality for All: a film trilogy on
Russian Cosmism

Curated by
Ingrid Haug Erstad

Johanna Billing
Pulheim Jam Session,
I’m Gonna Live Anyhow Until I die,
I’m Lost Without Your Rhythm,
This is How We Walk on the Moon,
Magical World


Jenine Marsh
Kneading Wheel, 
Coins and Tokens

Jenine Marsh
Sofia Eliasson
Lasse Årikstad
Johanna Lettmayer
Lewis & Taggar
Jon Benjamin Tallerås
Orientering 
—  a group show in public space


Jon Rafman
Dream Journal
2016-2017


Goutam Ghosh &
Jason Havneraas
PAARA

Ian Giles
After BUTT

Films by Yafei Qi
Wearing The Fog, 
I Wonder Why, 
Life Tells Lies

Exhibitions
— 2017

Daniel Gustav Cramer
Five Days

Kamilla Langeland
Sjur Eide Aas
The Thinker, Flower Pot and Mush

Danilo Correale
Equivalent Unit
Reverie: On the Liberation from Work


Valentin Manz
Useful Junk

Jeannine Han
Dan Riley
Time Flies When Slipping
Counter-Clockwise


Pedro Gómez-Egaña
Pleasure

Ane Graff
Mattering Waves


Andrew Amorim
Lest We Perish

Tom S. Kosmo
Unnatural Selection

Jenine Marsh
Lindsay Lawson

Dear Stranger


Exhibitions
— 2016


ALBUM
Eline Mugaas
Elise Storsveen
How to Feel Like a Woman

DKUK (Daniel Kelly)
Presents: Jóhanna Ellen
Digital Retreat Dot Com

Cato Løland
Folded Lines, Battles and Events

Harald Beharie
Louis Schou-Hansen
(S)kjønn safari 2.0

Lynda Benglis
On Screen
Bergen Assembly

Linn Pedersen
Bjørn Mortensen
Terence Koh
NADA New York

Ida Nissen
Kamilla Langeland
Marthe Elise Stramrud
Christian Tunge
Eivind Egeland
Fading Forms

Anders Holen
Stimulus

Sinta Werner
Vanishing Lines

Exhibitions
— 2015


Bjørn Mortensen
Pouches and Pockets
/ Compositories in Color


Linn Pedersen
Plain Air

Øystein Klakegg
Entrée # 55

Leander Djønne
Petroglyphs of the Indebted Man

Lewis & Taggart
Black Holes and other painted objects


Azar Alsharif
Bjørn Mortensen
Steinar Haga Kristensen
Lewis & Taggart
Vilde Salhus Røed
Heidi Bjørgan
NADA New York

Linda Sormin
Heidi Bjørgan
Collision

Steinar Haga Kristensen
The Fundamental Part of Any Act

Exhibitions
—2014


Tora Endestad Bjørkheim
Bjørn-Henrik Lybeck


Mathijs van Geest
The passenger eclipsed
the object that I could have
seen otherwise


Marit Følstad
Sense of Doubt

Oliver Laric
Yuanmingyuan3D

Terence Koh
sticks, stones and bones 

Kristin Tårnesvik
Espen Sommer Eide
Korsmos ugressarkiv

Exhibitions
— 2013


André Tehrani
Lost Allusions


Pedro Gómez-Egaña
Object to be Destroyed


Flag New York City

Christian von Borries
I’m M
Institute of Political Hallucinations
Bergen Assembly

Dillan Marsh
June Twenty-First

Vilde Salhus Røed
For the Sake of Colour


Azar Alsharif
The distant things seem close (…)
the close remote (…) the air is loaded


Magnhild Øen Nordahl
Omar Johnsen
Trialog

Lars Korff Lofthus
New Work

Exhibitions
— 2012


Anngjerd Rustan
The Dust Will Roll Together

Cato Løland
Oliver Pietsch
Love is Old, Love is New

Stian Ådlandsvik
Abstract Simplicity of Need

Sinta Werner
Something that stands for
Something / Double
Described Tautologies


Kjersti Vetterstad
Lethargia

Anna Lundh
Grey Zone

Arne Rygg
Borghild Rudjord Unneland
Lisa Him-Jensen
Cato Løland
Lewis & Taggart
Klara Sofie Ludvigsen
Magnhild Øen Nordahl
Mathijs van Geest
Andrea Spreafico
Flag Bergen

Exhibitions
— 2011


Karen Skog & Mia Øquist
Skog & Øquist systematiserer

Danilo Correale
We Are Making History

Sveinung Rudjord Unneland
U.T.

Ethan Hayes-Chute
Make/Shifted Cabin

Ebba Bohlin
Per-Oskar Leu
Kaia Hugin
Pica Pica

Gabriel Kvendseth
First We Take Mannahatta

Roger von Reybekiel
Do Everything Fantastic

Exhibitions
— 2010



Michael Johansson
27m3

Tone Wolff Kalstad
This Color Is Everywhere


Knud Young Lunde
Road Show Event Plan


Alison Carey
Ivan Twohig
Benjamin Gaulon
On The In-Between


Mercedes Mühleisen
Øyvind Aspen
Birk Bjørlo
Damir Avdagic
Annette Stav Johanssen
If Everything Else Fails...

Mart
Ciara Scanlan
Matthew Nevin
An Instructional

Patrick Wagner
Nina Nowak
Samuel Seger Patricia Wagner
South of No North

Gandt
Agnes Nedregaard Midskills
Patrick Coyle
Boogey Boys Santiago Mostyn
Bergen Biennale 2010 by Ytter

Lars Korff Lofthus
West Norwegian Pavilion


Serina Erfjord
Repeat


Mattias Arvastsson
Presence No.5


Malin Lennström-Örtwall
It`s like Nothing Ever Happened

Exhibitions
— 2009


Tor Navjord
FM/AM

Ragnhild Johansen
Erased Knot Painting


Entrée Radio


Lewis and Taggart
Ledsagende lydspor


In Conversation:
Gómez-Egaña and
Mathijs van Geest


In Conversation:
Andrew Amorim and
Mitch Speed


In Conversation:
Ane Graff and Alex Klein


In Conversation:
Martin Clark and Daniel Kelly


Ludo Sounds with
Tori Wrånes




In Conversation:
Stine Janvin Motland,
Kusum Normoyle,
Mette Rasmussen,
Cara Stewart



Randi Grov Berger
Contact/Info/CV
Other projects







Mark
Saturday October 30th

B3IG3
REACTION VIDEOS

featuring works by:
Dan Brown Brønlund (DK)
Magnus Håland Sunde (NO)
Linda Morell (SE)



Dan Brown Brønlund
Terraformers (2021)
Roots, clay, chalk, pigments, leaves, water, vacuum bags, grow lights




SCREEN TIME (2021)
by Andreas Knag-Danielsen

All photos by Raffaele Piano


🗓 18:00-21:00, 30 October 2021
📍Grand Hotel Terminus, Zander Kaaes gate 6, 5015 Bergen
👽Hosted by SCREEN TIME


“I’ve seen this one before, it’s sooo good!”
–KNAGSTER (reacting to artwork by Dan Brown Brønlund)


B3IG3 and Entrée proudly present REACTION VIDEOS - a one of a kind performance and exhibition experience that mixes the art world with the hotel world, drag and digital technology. Guided by SCREEN TIME, you are invited to experience works by Bergen-based artists Dan Brown Brønlund (DK), Magnus Håland Sunde (NO) and Linda Morell (SE) in a suite at Grand Hotel Terminus.


Here is how it works:

👉 The event is free and open to anyone.
👉 Meet up in the hotel lobby between 18:00-21:00.
👉 You will experience being guided to view an exhibition inside a hotel room.
👉 Please note that you will be photographed and filmed as part of the event.


“I like how it kind of doesn’t move, at all…”
– KNAGSTER (reacting to artwork by Linda Morell)


B3IG3 is run, hosted and produced by Andreas Knag-Danielsen. For the sixth iteration, in collaboration with Entrée, Bergen gets a chance to enter the B3IG3 universe. Taking inspiration from the phenomenon Reaction Videos* from YouTube, the character KNAGSTER (as seen on B3IG3 TV) reacts to each artwork through TV screens, diffusing the boundaries of the digital and physical realm. By mixing satirical humor and fast paced editing similar to the genre, artist and writer Jennifer Chan mimics the role of a digital avatar-meets-art critic. The manuscript is performed and manipulated by Knag-Danielsen, creating a meta reaction of some sort in relation to the physical artworks. The installation consists of sculptures, objects and TV screens that intertwine with the hotel decor while the host SCREEN TIME guides you through the hotel. Check-in at the lobby and take your seat...


“I’m totally into Red, Green and Blue, so this is totally my vibe.”
– KNAGSTER (reacting to artwork by Magnus Håland Sunde)


*A Reaction Video is a video in which people react to something. Videos showing the emotional reactions of people viewing episodes of television series, film trailers and music videos are numerous and popular on video hosting services such as YouTube. The depicted persons may or may not be aware that they are being recorded. In some cases, the video to which people react is shown within the reaction video, allowing the reaction video's viewers to see what is being reacted to.

The project is supported by Arts Council Norway and The Swedish Arts Grants Committee.


Dan Brown Brønlund (b. 1988, Århus C, Denmark) works with sculpture, photography and installation. His practice evolves around an attention towards exploring and experimentation concerning the basic internal matter of body and soil, in the living and non-living. Here, he explores what makes out our primordial desires and modern guilty pleasures within the physical world around us. Seeking out how to evoke a sense of curiosity towards one's environment, through the encounter of materials within those spaces. It is a question about what materials can communicate and how they are produced, used and altered by his own body. Organic, artificial and volatile substances are composed with each other in imaginative micro-cosmos’s by the experimentation of a diverse mixture of materials and mediums brought together. In exploring formations and deformations of different materials coming together and the relations that exist or could arise between them. Dan Brown Brønlund imagines other ways of working with sculpture, merging various, and often non-traditional materials. @danbrownbroenlund

Magnus Håland Sunde (b. 1992, Tysnes, Norway) is a textile artist with a BFA from The Faculty of Fine Art, Music and Design at the University of Bergen. Currently based on the island of Tysnes, south of Bergen, he works with local tapestry traditions, gathering material to naturally dye wool yarns. His practice revolves around meeting points for cultural heritage and queer identity, linking the old and contemporary through digital jacquard weaving or analog tapestry weaving. His projects often start with a search for a "digital materiality" through scanning, drawing on grid paper and using algorithms to create new patterns. Through the history of software, Sunde is inspired by how this relates back to the jacquard loom, as a foundation for all digital technologies. He has exhibited works in Denmark and Norway. @magnushaalandsunde

Linda Morell (b. 1993, Halmstad, Sweden) works with sculpture and installation which form speculative futures based on myths, science and medicine. Through the reinterpretation of current and historical theories surrounding the human body she creates works in various materials such as ceramics, metals, glass and plastics. The works often operate with a clinical aesthetic and examine the relationship between body and object. The pieces linger between the human and non-human both in form and concept alluding to alienation and her most recent works mix hand-built processes with virtual techniques to explore new forms of sculpting. Characterized by their material precision, her works can be understood as hybrids and artificial organisms. Morell graduated with a master from Faculty of Fine Art, Music and Design at the University of Bergen in 2019 and has since had solo presentations at institutions such as Nordnorsk Kunstnersenter in Svolvær and BOA in Oslo. In 2020 she was awarded the debutant award from the Norwegian Association of Arts and Crafts. lindamorell.com

B3IG3 (read: “beige”) is a performative and curatorial platform which is run, hosted and curated by Andreas Knag-Danielsen. B3IG3 has for the last three years consisted of B3IG3 events where artists are invited to use a hotel room as an exhibition space. The events are hosted by different characters created and performed by Andreas Knag-Danielsen, based on drag aesthetics, a love-hate relationship with technology and the meeting between the digital and physical world. B3IG3 has also ventured into the YouTube world with B3IG3 TV featuring a brand new talk show called THE B3IG3 SHOW as well as various videos that explore what it means to be human in a hyperconnected time. B3IG3 has shown works by Rasmus Raphaëlle Östebro (SE), Sasha Panyuta (US), Hanni Kamaly (NO), Nils Ekman (SE), Johan Lundin (SE), Christopher Füllemann (CH), Pastelae (SE) and collaborated with art institution Rogaland Kunstsenter, Gallery Extra, curator Sofia Wickman (SE) and Museum Anna Nordlander (SE) and held events in Malmö (SE), Berlin (DE), Stavanger (NO), Copenhagen (DK) and Skellefteå (SE).

Andreas Knag-Danielsen (b.1983, Bergen, Norway) works with digital media, performance art, installation and video. His art practice explores the interrelationship between the human body and technology where he raises questions about identity, the internet and representation by using an interdisciplinary approach. In the last three years he has implemented the art of drag and make-up transformations into his work as well as working more with video and post-production using green screen, digital manipulation and social media as a space for experimentation. His art practice is constantly changing but will always be rooted in the idea of what it means to live in a human body in a post-human time, where he uses his own queer body as a starting point. During 2015-2017 he worked for the artist-run gallery Galleri CC in Malmö (SE). In 2018 he started the performative and curatorial project B3IG3. Selected curatorial work for Galleri CC: Jennifer Chan (CAN) ”Sea of Men”, 2-29/11 2015, Anne Guro Larsmon (NO) & Sandra Vaka Olsen (NO) ”Glass Double”, 1-24/4 2016, Lars Korff Lofthus (NO) ”TOTEMS”, 3-26/3 2017. andreasknag-danielsen.com

B3IG3
www: b3ig3.com
ig: @b3ig3_com
fb: b3ig3









The host: 
SCREEN TIME (2021)
by Andreas Knag-Danielsen

The textile print was created by placing a smartphone over a scanner at the same tempo as the lamp of the scanner. The smartphone played a video of a moving eye while moving the device across the glass surface creating irregularities and glitches.

Make-up: Andreas Knag-Danielsen
Costume design: Andreas Knag-Danielsen
Costume production: Marte Edvarda Tidslevold




Left:
Linda Morell
Panacea (2021)
Glazed stoneware, steel. 

Right: 
Dan Brown Brønlund
Exogel (2021)
Roots, textile, clay, chalk, pigment, foodcoloring, water, vacuum bags, LED lights


Sceens:
Andreas Knag-Danielsen
VIDEO REACTIONS (2021)
3 channel HD video on vertical TV screens




Left:
Dan Brown Brønlund
Exogel (2021)
Roots, textile, clay, chalk, pigment, foodcoloring, water, vacuum bags, LED lights

Right:
Magnus Håland Sunde
Monitor screen test #1 (2019)
Wool


Sceens:
Andreas Knag-Danielsen
VIDEO REACTIONS (2021)
3 channel HD video on vertical TV screens




Linda Morell
Panacea (2021)
Glazed stoneware, steel.


Sceen:
Andreas Knag-Danielsen
VIDEO REACTIONS (2021)
3 channel HD video on vertical TV screens




Linda Morell
Panacea (2021)
Glazed stoneware, steel.





Magnus Håland Sunde
Monitor screen test #1 (2019)
Wool


Sceen:
Andreas Knag-Danielsen
VIDEO REACTIONS (2021)
3 channel HD video on vertical TV screens





Magnus Håland Sunde
Monitor screen test #1 (2019)
Wool





Dan Brown Brønlund
Terraformers (2021)
Roots, clay, chalk, pigments, leaves, water, vacuum bags, grow lights



//Norsk//

B3IG3 og Entrée er stolte av å presentere REACTION VIDEOS - en enestående forestilling og utstillingsopplevelse som blander kunstverdenen med hotellverdenen, drag og digital teknologi. Guidet av SCREEN TIME blir du invitert til å oppleve verk av de bergensbaserte kunstnerne Dan Brown Brønlund (DK), Magnus Håland Sunde (NO) og Linda Morell (SE) i en suite på Grand Hotel Terminus.

Slik fungerer det:

👉 Arrangementet er gratis og åpent for alle.
👉 Møt opp i hotellobbyen mellom kl. 18-21.
👉 Du vil oppleve å bli guidet til å se en utstilling inne på et hotellrom.
👉 Vær oppmerksom på at du vil bli fotografert og filmet som en del av arrangementet.


“I like how it kind of doesn’t move, at all…”
– KNAGSTER (reagerer på kunstverk av Linda Morell)


B3IG3 drives av Andreas Knag-Danielsen. For den sjette utgaven, i samarbeid med Entrée, får Bergen en sjanse til å tre inn i B3IG3-universet. Med inspirasjon fra fenomenet Reaction Videos* fra YouTube, reagerer karakteren KNAGSTER (fra B3IG3 TV) på ulike kunstverk gjennom TV-skjermer og sprer grensene for det digitale og fysiske rommet. Ved å blande satirisk humor og fartsfylt redigering som kjennetegner sjangeren, etterligner kunstneren og forfatteren Jennifer Chan rollen som en digital avatar-møter-kunstkritiker. Manuskriptet blir fremført og manipulert av Knag-Danielsen, og skaper en metareaksjon i forhold til de fysiske kunstverkene. Installasjonen består av skulpturer, objekter og TV-skjermer som henger sammen med hotellinnredningen og verten SCREEN TIME guider deg gjennom hotellet. Sjekk inn i lobbyen og ta plass ...


“I’m totally into Red, Green and Blue, so this is totally my vibe.”
– KNAGSTER (reagerer på kunstverk av Magnus Håland Sunde)


*En reaksjonsvideo er en video der folk reagerer på noe. Videoer som viser de følelsesmessige reaksjonene til folk som ser på episoder av TV-serier, filmtrailere og musikkvideoer er mange og populære på videovertstjenester som YouTube. De avbildede personene kan være klar over at de blir spilt inn. I noen tilfeller vises også videoen som folk reagerer på i reaksjonsvideoen, slik at reaksjonsvideoens seere kan se hva det reageres på.

Prosjektet er støttet av Norsk Kulturråd og Konstnärsnämnden Sverige.


Dan Brown Brønlund (f. 1988, Århus C, Danmark) arbeider med skulptur, fotografi og installasjon. Hans praksis kretser rundt en oppmerksomhet mot å utforske og eksperimentere rundt det grunnleggende indre stoffet i kropp og jord, i det levende og ikke-levende. Her utforsker han hva som kjennetegner våre urlyster og moderne skyldfølelser i den fysiske verden rundt oss. Han fremkaller nysgjerrighet overfor omgivelsene, gjennom møte med ulike materialer, og undersøker hvordan ulike materialer kommuniserer og hvordan de produseres, brukes og endres av hans egen kropp. Organiske, kunstige og flyktige stoffer er sammensatt med hverandre i fantasifulle mikrokosmos ved å eksperimentere med en mangfoldig blanding av materialer og medier som er samlet. Ved å utforske formasjoner og deformasjoner av forskjellige materialer som kommer sammen og forholdene som eksisterer eller kan oppstå mellom dem. Dan Brown Brønlund ser for seg andre måter å jobbe med skulptur på, som slår sammen ulike og ofte ikke-tradisjonelle materialer. @danbrownbroenlund

Magnus Håland Sunde (f. 1992, Tysnes, Norge) er en tekstilkunstner med en BFA fra Fakultet for kunst, musikk og design, Universitetet i Bergen. For tiden er han basert på øya Tysnes, sør for Bergen, hvor han jobber med lokale billedteppetradisjoner og samler materiale til plantefarging av ullgarn. Praksisen hans dreier seg om møtepunkter for kulturarv og queer-identitet, og knytter det gamle og samtidige gjennom digital jacquardveving eller analog billedvev. Prosjektene hans starter ofte med et søk etter en "digital materialitet" gjennom skanning, tegning på rutenettpapir og bruk av algoritmer for å lage nye mønstre. Gjennom programvarehistorien er Sunde inspirert av hvordan dette relaterer seg til jacquardveven, som grunnlag for all digital teknologi. Han har stilt ut verk i Danmark og Norge. @magnushaalandsunde

Linda Morell (f. 1993, Halmstad, Sverige) arbeider med skulptur og installasjon som danner spekulative fremtider basert på myter, vitenskap og medisin. Gjennom fornyelsen av nåværende og historiske teorier rundt menneskekroppen skaper hun verk i forskjellige materialer som keramikk, metaller, glass og plast. Verkene opererer ofte med en klinisk estetikk og undersøker forholdet mellom kropp og objekt. Verkene befinner seg mellom det menneskelige og det ikke-menneskelige både i form og konsept, de henviser til fremmedgjøring. Hennes siste arbeider blander håndbygde prosesser med virtuelle teknikker for å utforske nye former for skulpturering. Karakterisert ved sin materielle presisjon, kan verkene hennes forstås som hybrider og kunstige organismer. Morell ble uteksaminert med en master fra Fakultet for kunst, musikk og design, Universitetet i Bergen i 2019 og har siden hatt soloutstillinger ved institusjoner som Nordnorsk Kunstnersenter i Svolvær og BOA i Oslo. I 2020 ble hun tildelt Norske Kunsthåndverkeres debutantpris. lindamorell.com

B3IG3 (leses: “beige”) er en performativ og kuratorisk plattform som drives av Andreas Knag-Danielsen. B3IG3 har de siste tre årene bestått av B3IG3 arrangementer der kunstnere inviteres til å bruke et hotellrom som et utstillingsrom. Arrangementene guides av forskjellige karakterer som er skapt og fremført av Andreas Knag-Danielsen, basert på drag-estetikk, et elsk-hat-forhold til teknologi og møtet mellom den digitale og fysiske verden. B3IG3 har også infiltrert YouTube verdenen med kanalen B3IG3 TV som blant annet inneholder talkshowet THE B3IG3 SHOW, samt forskjellige videoer som utforsker hva det vil si å være menneske i en hyperkoblet tid. B3IG3 har presentert verk fra kunstnerne Rasmus Raphaëlle Östebro (SE), Sasha Panyuta (US), Hanni Kamaly (NO), Nils Ekman (SE), Johan Lundin (SE), Christopher Füllemann (CH), Pastelae (SE) og samarbeidet med kunst institusjoner Rogaland Kunstsenter, Gallery Extra, kurator Sofia Wickman (SE) og Museum Anna Nordlander (SE) og holdt arrangement i Malmö (SE), Berlin (DE), Stavanger (NO), Copenhagen (DK) og Skellefteå (SE).

Andreas Knag-Danielsen (f.1983, Bergen, Norge) arbeider med digitale medier, performance, installasjon og video. Kunstnerskapet hans utforsker forholdet mellom menneskekroppen og teknologi der han er interessert i spørsmål omkring identitet, internett og representasjon ved å bruke en interdisiplinær tilnærming. I løpet av de siste tre årene har han implementert Drag og sminke transformasjoner i arbeidet sitt, i tillegg til å jobbe mer med video og post-produksjon ved hjelp av green screen, digital manipulasjon og sosiale medier som et rom for eksperimentering. Kunstnerskapet hans er i stadig endring, men vil alltid være forankret i ideen om hva det vil si å leve i en menneskekropp i en post-humanistisk tid, hvor han bruker sin egen queer kropp som utgangspunkt. Fra 2015-2017 jobbet han for det kunstnerdrevne galleriet Galleri CC i Malmö (SE). I 2018 startet han det performative og kuratoriske prosjektet B3IG3. Utvalgt kuratorarbeid for Galleri CC: Jennifer Chan (CAN) ”Sea of Men”, 2-29/11 2015, Anne Guro Larsmon (NO) & Sandra Vaka Olsen (NO) ”Glass Double”, 1-24/4 2016, Lars Korff Lofthus (NO) ”TOTEMS”, 3-26/3 2017. andreasknag-danielsen.com


B3IG3
www: b3ig3.com
ig: @b3ig3_com
fb: b3ig3


Mark