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Wednesday 12-6pm
Thursday, 12-6pm
Friday, 12-6pm
Saturday, 12-6pm
Sunday, 12-6pm



Andrea Spreafico
Poor Dictionary (from Distance to Rage)


Cato Løland
Chests
Paris Internationale


Past Projects  
— 2022


Marco Bruzzone
GLUB CLUB (An Underwater Turmoil)



Lera Sxemka
Artists in Residency
 


Nastya Feschuk
Artist in Residency
 


Tuda Muda,
Sigrún Hlín Sigurðardóttir,
Unn Devik
Artists in Residency



Ivana Králíková
Future City Earth Systems
Artists in Residency


T-Yard Writers Residency
︎ www.t-yard.com


Karoline Hjorth & Riitta Ikonen
Eyes as Big as Plates


Entrée Cinema
Lasse Årikstad
Bergen Filmklubb


Pamflett & BABF
Bergen Art Book Library


Magnhild Øen Nordahl
Oppløyste abstraksjonar



Past Exhibitions
— 2021


SIGLA BINDA
- a group exhibition



Entrée Cinema
Calderón & Piñeros
Paul Tunge &
Egil Håskjold Larsen
Cinemateket i Bergen



Kåre Aleksander Grundvåg
Grunnarbeid



B3IG3
REACTION VIDEOS
Dan Brown Brønlund
Magnus Håland Sunde
Linda Morell



Lisa Seebach
I’d Rather Be Rehearsing the Future



Entrée Cinema:
Ina Porselius
Bergen Filmklubb



Ann Iren Buan
Falm varsomt, hold om oss



Sjur Eide Aas
At Hermit Street Metro Entrance



Entrée Cinema:
Esteban Rivera,
Marthe Thorshaug
Cinemateket Bergen



Karin Blomgren
Summen av alle krefter


Entrée Cinema: 
Jon Rafman,
Claudia Maté
at Bergen Filmklubb


Past Exhibitions
— 2020



Lin Wang
Exotic Dreams Tattoo Shop



Unfolding Questions, Codes,
and Contours

at Tromsø Kunstforening


Ida Wieth
wander / wonder



Lilian Nabulime, Bathsheba Okwenje,
Miriam Watsemba, Maria Brinch.
My Mother Is Forgetting My Face.
Curated by Martha Kazungu



Ian Giles
After BUTT
at Kunstnerforbundet


Oliver Ressler
Carbon and Captivity


Sara Wolfert
Head Channel & Lion 
- Waking of the Sleeping Lion Ear



Entrée Cinema
Kjersti Vetterstad
A Beehive in My Heart
at Cinemateket Bergen


Halldis Rønning
Watermusic



Past Exhibitions
— 2019



Kristin Austreid
Et underlig redskap

Bergen Assembly
Actually, the Dead Are Not Dead

Anne de Boer, Eloïse Bonneviot
the Mycological Twist

Kamilla Langeland
Stories of the Mind
(Transitioning Into Uncertainty)


Maria Brinch
INYA LAKE

— at Kunstnernes Hus


Bathsheba Okwenje
Freedom of Movement
at  Kunstnernes Hus

Lina Viste Grønli
Nye skulpturer


Toril Johannessen
SKOGSAKEN (The Forest Case)

Marysia Lewandowska
It’s About Time

(in Venice Biennial)

Films by
Mai Hofstad Gunnes


Isme Film
Collectively Conscious Remembrance


Trond Lossius
Jeremy Welsh
The Atmospherics
River deep, mountain high



Exhibitions 
— 2018



Marjolijn Dijkman
Toril Johannessen
Reclaiming Vision

Damir Avdagic
Reenactment/Process
Reprise/Response


Eivind Egeland
Father of Evil

Marysia Lewandowska
Rehearsing the Museum


Anton Vidokle
Immortality for All: a film trilogy on
Russian Cosmism

Curated by
Ingrid Haug Erstad

Johanna Billing
Pulheim Jam Session,
I’m Gonna Live Anyhow Until I die,
I’m Lost Without Your Rhythm,
This is How We Walk on the Moon,
Magical World


Jenine Marsh
Kneading Wheel, 
Coins and Tokens

Jenine Marsh
Sofia Eliasson
Lasse Årikstad
Johanna Lettmayer
Lewis & Taggar
Jon Benjamin Tallerås
Orientering 
—  a group show in public space


Jon Rafman
Dream Journal
2016-2017


Goutam Ghosh &
Jason Havneraas
PAARA

Ian Giles
After BUTT

Films by Yafei Qi
Wearing The Fog, 
I Wonder Why, 
Life Tells Lies

Exhibitions
— 2017

Daniel Gustav Cramer
Five Days

Kamilla Langeland
Sjur Eide Aas
The Thinker, Flower Pot and Mush

Danilo Correale
Equivalent Unit
Reverie: On the Liberation from Work


Valentin Manz
Useful Junk

Jeannine Han
Dan Riley
Time Flies When Slipping
Counter-Clockwise


Pedro Gómez-Egaña
Pleasure

Ane Graff
Mattering Waves


Andrew Amorim
Lest We Perish

Tom S. Kosmo
Unnatural Selection

Jenine Marsh
Lindsay Lawson

Dear Stranger


Exhibitions
— 2016


ALBUM
Eline Mugaas
Elise Storsveen
How to Feel Like a Woman

DKUK (Daniel Kelly)
Presents: Jóhanna Ellen
Digital Retreat Dot Com

Cato Løland
Folded Lines, Battles and Events

Harald Beharie
Louis Schou-Hansen
(S)kjønn safari 2.0

Lynda Benglis
On Screen
Bergen Assembly

Linn Pedersen
Bjørn Mortensen
Terence Koh
NADA New York

Ida Nissen
Kamilla Langeland
Marthe Elise Stramrud
Christian Tunge
Eivind Egeland
Fading Forms

Anders Holen
Stimulus

Sinta Werner
Vanishing Lines

Exhibitions
— 2015


Bjørn Mortensen
Pouches and Pockets
/ Compositories in Color


Linn Pedersen
Plain Air

Øystein Klakegg
Entrée # 55

Leander Djønne
Petroglyphs of the Indebted Man

Lewis & Taggart
Black Holes and other painted objects


Azar Alsharif
Bjørn Mortensen
Steinar Haga Kristensen
Lewis & Taggart
Vilde Salhus Røed
Heidi Bjørgan
NADA New York

Linda Sormin
Heidi Bjørgan
Collision

Steinar Haga Kristensen
The Fundamental Part of Any Act

Exhibitions
—2014


Tora Endestad Bjørkheim
Bjørn-Henrik Lybeck


Mathijs van Geest
The passenger eclipsed
the object that I could have
seen otherwise


Marit Følstad
Sense of Doubt

Oliver Laric
Yuanmingyuan3D

Terence Koh
sticks, stones and bones 

Kristin Tårnesvik
Espen Sommer Eide
Korsmos ugressarkiv

Exhibitions
— 2013


André Tehrani
Lost Allusions


Pedro Gómez-Egaña
Object to be Destroyed


Flag New York City

Christian von Borries
I’m M
Institute of Political Hallucinations
Bergen Assembly

Dillan Marsh
June Twenty-First

Vilde Salhus Røed
For the Sake of Colour


Azar Alsharif
The distant things seem close (…)
the close remote (…) the air is loaded


Magnhild Øen Nordahl
Omar Johnsen
Trialog

Lars Korff Lofthus
New Work

Exhibitions
— 2012


Anngjerd Rustan
The Dust Will Roll Together

Cato Løland
Oliver Pietsch
Love is Old, Love is New

Stian Ådlandsvik
Abstract Simplicity of Need

Sinta Werner
Something that stands for
Something / Double
Described Tautologies


Kjersti Vetterstad
Lethargia

Anna Lundh
Grey Zone

Arne Rygg
Borghild Rudjord Unneland
Lisa Him-Jensen
Cato Løland
Lewis & Taggart
Klara Sofie Ludvigsen
Magnhild Øen Nordahl
Mathijs van Geest
Andrea Spreafico
Flag Bergen

Exhibitions
— 2011


Karen Skog & Mia Øquist
Skog & Øquist systematiserer

Danilo Correale
We Are Making History

Sveinung Rudjord Unneland
U.T.

Ethan Hayes-Chute
Make/Shifted Cabin

Ebba Bohlin
Per-Oskar Leu
Kaia Hugin
Pica Pica

Gabriel Kvendseth
First We Take Mannahatta

Roger von Reybekiel
Do Everything Fantastic

Exhibitions
— 2010



Michael Johansson
27m3

Tone Wolff Kalstad
This Color Is Everywhere


Knud Young Lunde
Road Show Event Plan


Alison Carey
Ivan Twohig
Benjamin Gaulon
On The In-Between


Mercedes Mühleisen
Øyvind Aspen
Birk Bjørlo
Damir Avdagic
Annette Stav Johanssen
If Everything Else Fails...

Mart
Ciara Scanlan
Matthew Nevin
An Instructional

Patrick Wagner
Nina Nowak
Samuel Seger Patricia Wagner
South of No North

Gandt
Agnes Nedregaard Midskills
Patrick Coyle
Boogey Boys Santiago Mostyn
Bergen Biennale 2010 by Ytter

Lars Korff Lofthus
West Norwegian Pavilion


Serina Erfjord
Repeat


Mattias Arvastsson
Presence No.5


Malin Lennström-Örtwall
It`s like Nothing Ever Happened

Exhibitions
— 2009


Tor Navjord
FM/AM

Ragnhild Johansen
Erased Knot Painting


Entrée Radio


Lewis and Taggart
Ledsagende lydspor


In Conversation:
Gómez-Egaña and
Mathijs van Geest


In Conversation:
Andrew Amorim and
Mitch Speed


In Conversation:
Ane Graff and Alex Klein


In Conversation:
Martin Clark and Daniel Kelly


Ludo Sounds with
Tori Wrånes




In Conversation:
Stine Janvin Motland,
Kusum Normoyle,
Mette Rasmussen,
Cara Stewart



Randi Grov Berger
Contact/Info/CV
Other projects







Mark
June 21st- August 28th, 2022


Marco Bruzzone
GLUB CLUB (An Underwater Turmoil)



Marco Bruzzone, GLUB CLUB (An Underwater Turmoil), Entrée, 2022. All photos by Mario de la Ossa.

Marco Bruzzone, detail from Untitled (Glub-Club, Bag Sign:(, Ubåt Press), 2022, acrylic on canvas, 264 x 215 cm.


Throughout the summer an underwater protest is silently taking place in the water of the sea around Bergen. It is meant to be experienced privately, in an immersive moment of resistance in the commodity exchange, away from everyday social pollution. It offers instead a place for meditation and healing where one can confront the self and the abyss or the abyss in the self. In this place overwhelmed by nature, humans are dethroned and brought to a subordinate role. The self-centred anthropocentrism of ordinary dialectics is here rather subverted, and gives space for a weightless contemplation.

Locations for the work whilst submerged in the sea have been outside Ubåt Press in Laksevåg, Bergen Architect School and Norway Fisheries Museum in Sandviken. Thanks also to Aldea for being our test location this spring.

At view in the exhibition at Entrée are the extracted works, now changed by tides, algae, and other living organisms. In addition, Bruzzone presents his artist’s edition Ciao Mondo beach towel. The towels are an exclusive joint production between Entrée and Maiden Name. 

Marco Bruzzone (b. 1974 in Genoa, Italy) lives and works in Berlin. His practice is rooted in the research of cultural histories. The research process often results in the generation of ideas, methods and applications that produce art. His work encompasses painting, sculpture, performance and installations. A formal lightness of touch, predilection for the ephemeral and the importance of humour are underlying principles of Marco Bruzzone’s work. His work is represented by London Gallery SUNDY.


Locations:
Ubåt Press (Johan Berentsens vei 65, Bergen)
Bergen Architect School (Sjøgaten 59, Bergen)
Norway Fisheries Museum (Sjøgaten 23)

Artist talk:
August 2nd, 17.00, Bergen Architect School


Sharkathon film screening:
August 5th, from 18.00-06.00, Bergen Architect School


Exhibition
Opening Saturday August 6th, 6pm, Entrée
On until August 28th, open each Thu-Sun 12-4pm


Artist Edition

As part of Glub Club (An Underwater Turmoil) Bruzzone presents his artist edition Ciao Mondo beach towel. The towels are an exclusive joint production between Entrée and Maiden Name

Glub Club explores the artist's relationship with the sea. For him, it offers a sonically-dulled void hospitable to contemplation, a scene in which the primacy of the human is displaced, and yet also an environment that has been ravaged by human exploitation. For Glub Club, Bruzzone submerged a series of paintings, allowing natural processes to take over the creative process. Evoking political slogans, the paintings show, with humour and care, the incompatible scales of the human and the natural.

Ciao Mondo extends this interest in the slogan, offering winking acknowledgments of the realities of climate change as well as the promise of nature to release us from the constraints of the human world.



Marco Bruzzone, GLUB CLUB (An Underwater Turmoil). Banners in window from top to bottom; Untitled (Glub-Club, London Oslo Banner, Bergen Arkitekthøgskole), Untitled (Glub-Club, He:( :)lp! Banner, Ubåt Press), Untitled (Glub-Club, Get Over Yourself Banner, Ubåt Press), Untitled (Glub-Club, Établissement d’en Face Banner, Ubåt Press), Untitled (Glub-Club, Help! Help! Banner, Ubåt Press), 2022, acrylic on canvas, each 195 x 48 cm. 


Marco Bruzzone, Untitled (Glub-Club, Bag Sign:(, Ubåt Press), 2022, acrylic on canvas, 264 x 215 cm.


Reviews
18.08.2022
Kunstkritikk.no
Vi skal bare dø, liksom
Av Kristoffer Jul-Larsen


Marco Bruzzone, detail from Untitled (Glub-Club, Help! Iilp!, Ubåt Press), 2022, acrylic on canvas, 264 x 215 cm.


Marco Bruzzone, Untitled (Glub-Club, Dancing Algae, Bergen Arkitekthøgskole), 2022, acrylic on canvas, 264 x 215 cm.


Marco Bruzzone, detail from Untitled (Glub-Club, Dancing Algae, Bergen Arkitekthøgskole), 2022, acrylic on canvas, 264 x 215 cm. 


Marco Bruzzone, Untitled (Glub-Club, Help! Iilp!, Ubåt Press), 2022, acrylic on canvas, 264 x 215 cm.

Marco Bruzzone, detail from Untitled (Glub-Club, Help! Iilp!, Ubåt Press), 2022, acrylic on canvas, 264 x 215 cm. 


Marco Bruzzone, detail from Untitled (Glub-Club, Bag Sign:(, Ubåt Press), 2022, acrylic on canvas, 264 x 215 cm.


Marco Bruzzone, detail from Untitled (Glub-Club, He:( :)lp! Banner, Ubåt Press), 2022, acrylic on canvas, 195 x 48 cm.


Marco Bruzzone, detail from Untitled (Glub-Club, Dancing Algae, Bergen Arkitekthøgskole), 2022, acrylic on canvas, 264 x 215 cm.



A few snippets from the undewater scenery where the works were on view thought the summer, before taken out in beginning of August.
 
Marco Bruzzone, Untitled (IV Mussles, Bergen Arkitekthøgskole) and Untitled (III Mussles, Fiskerimuseum), 2022, acrylic on canvas, each 195 x 144.



Marco Bruzzone, detail from Untitled (III Mussles, Fiskerimuseum), 2022, acrylic on canvas, 195 x 144.

Mark