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Sunday 12—4pm

Magnhild Øen Nordahl
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Oseana Kunst og Kultursenter 
+ Entrée
Opnar 5.februar!

Past Exhibitions
— 2022

- a group exhibition

Past Exhibitions
— 2021

Entrée Cinema
Calderón & Piñeros
Paul Tunge &
Egil Håskjold Larsen
Cinemateket i Bergen

Kåre Aleksander Grundvåg

Dan Brown Brønlund
Magnus Håland Sunde
Linda Morell

Lisa Seebach
I’d Rather Be Rehearsing the Future

Entrée Cinema:
Ina Porselius
Bergen Filmklubb

Ann Iren Buan
Falm varsomt, hold om oss

Sjur Eide Aas
At Hermit Street Metro Entrance

Entrée Cinema:
Esteban Rivera,
Marthe Thorshaug
Cinemateket Bergen

Karin Blomgren
Summen av alle krefter

Entrée Cinema: 
Jon Rafman,
Claudia Maté
at Bergen Filmklubb

Past Exhibitions
— 2020

Lin Wang
Exotic Dreams Tattoo Shop

Unfolding Questions, Codes,
and Contours

at Tromsø Kunstforening

Ida Wieth
wander / wonder

Lilian Nabulime, Bathsheba Okwenje,
Miriam Watsemba, Maria Brinch.
My Mother Is Forgetting My Face.
Curated by Martha Kazungu

Ian Giles
After BUTT
at Kunstnerforbundet

Oliver Ressler
Carbon and Captivity

Sara Wolfert
Head Channel & Lion 
- Waking of the Sleeping Lion Ear

Entrée Cinema
Kjersti Vetterstad
A Beehive in My Heart
at Cinemateket Bergen

Halldis Rønning

Past Exhibitions
— 2019

Kristin Austreid
Et underlig redskap

Bergen Assembly
Actually, the Dead Are Not Dead

Anne de Boer, Eloïse Bonneviot
the Mycological Twist

Kamilla Langeland
Stories of the Mind
(Transitioning Into Uncertainty)

Maria Brinch

— at Kunstnernes Hus

Bathsheba Okwenje
Freedom of Movement
at  Kunstnernes Hus

Lina Viste Grønli
Nye skulpturer

Toril Johannessen
SKOGSAKEN (The Forest Case)

Marysia Lewandowska
It’s About Time

(in Venice Biennial)

Films by
Mai Hofstad Gunnes

Isme Film
Collectively Conscious Remembrance

Trond Lossius
Jeremy Welsh
The Atmospherics
River deep, mountain high

— 2018

Marjolijn Dijkman
Toril Johannessen
Reclaiming Vision

Damir Avdagic

Eivind Egeland
Father of Evil

Marysia Lewandowska
Rehearsing the Museum

Anton Vidokle
Immortality for All: a film trilogy on
Russian Cosmism

Curated by
Ingrid Haug Erstad

Johanna Billing
Pulheim Jam Session,
I’m Gonna Live Anyhow Until I die,
I’m Lost Without Your Rhythm,
This is How We Walk on the Moon,
Magical World

Jenine Marsh
Kneading Wheel, 
Coins and Tokens

Jenine Marsh
Sofia Eliasson
Lasse Årikstad
Johanna Lettmayer
Lewis & Taggar
Jon Benjamin Tallerås
—  a group show in public space

Jon Rafman
Dream Journal

Goutam Ghosh &
Jason Havneraas

Ian Giles
After BUTT

Films by Yafei Qi
Wearing The Fog, 
I Wonder Why, 
Life Tells Lies

— 2017

Daniel Gustav Cramer
Five Days

Kamilla Langeland
Sjur Eide Aas
The Thinker, Flower Pot and Mush

Danilo Correale
Equivalent Unit
Reverie: On the Liberation from Work

Valentin Manz
Useful Junk

Jeannine Han
Dan Riley
Time Flies When Slipping

Pedro Gómez-Egaña

Ane Graff
Mattering Waves

Andrew Amorim
Lest We Perish

Tom S. Kosmo
Unnatural Selection

Jenine Marsh
Lindsay Lawson

Dear Stranger

— 2016

Eline Mugaas
Elise Storsveen
How to Feel Like a Woman

DKUK (Daniel Kelly)
Presents: Jóhanna Ellen
Digital Retreat Dot Com

Cato Løland
Folded Lines, Battles and Events

Harald Beharie
Louis Schou-Hansen
(S)kjønn safari 2.0

Lynda Benglis
On Screen
Bergen Assembly

Linn Pedersen
Bjørn Mortensen
Terence Koh
NADA New York

Ida Nissen
Kamilla Langeland
Marthe Elise Stramrud
Christian Tunge
Eivind Egeland
Fading Forms

Anders Holen

Sinta Werner
Vanishing Lines

— 2015

Bjørn Mortensen
Pouches and Pockets
/ Compositories in Color

Linn Pedersen
Plain Air

Øystein Klakegg
Entrée # 55

Leander Djønne
Petroglyphs of the Indebted Man

Lewis & Taggart
Black Holes and other painted objects

Azar Alsharif
Bjørn Mortensen
Steinar Haga Kristensen
Lewis & Taggart
Vilde Salhus Røed
Heidi Bjørgan
NADA New York

Linda Sormin
Heidi Bjørgan

Steinar Haga Kristensen
The Fundamental Part of Any Act


Tora Endestad Bjørkheim
Bjørn-Henrik Lybeck

Mathijs van Geest
The passenger eclipsed
the object that I could have
seen otherwise

Marit Følstad
Sense of Doubt

Oliver Laric

Terence Koh
sticks, stones and bones 

Kristin Tårnesvik
Espen Sommer Eide
Korsmos ugressarkiv

— 2013

André Tehrani
Lost Allusions

Pedro Gómez-Egaña
Object to be Destroyed

Flag New York City

Christian von Borries
I’m M
Institute of Political Hallucinations
Bergen Assembly

Dillan Marsh
June Twenty-First

Vilde Salhus Røed
For the Sake of Colour

Azar Alsharif
The distant things seem close (…)
the close remote (…) the air is loaded

Magnhild Øen Nordahl
Omar Johnsen

Lars Korff Lofthus
New Work

— 2012

Anngjerd Rustan
The Dust Will Roll Together

Cato Løland
Oliver Pietsch
Love is Old, Love is New

Stian Ådlandsvik
Abstract Simplicity of Need

Sinta Werner
Something that stands for
Something / Double
Described Tautologies

Kjersti Vetterstad

Anna Lundh
Grey Zone

Arne Rygg
Borghild Rudjord Unneland
Lisa Him-Jensen
Cato Løland
Lewis & Taggart
Klara Sofie Ludvigsen
Magnhild Øen Nordahl
Mathijs van Geest
Andrea Spreafico
Flag Bergen

— 2011

Karen Skog & Mia Øquist
Skog & Øquist systematiserer

Danilo Correale
We Are Making History

Sveinung Rudjord Unneland

Ethan Hayes-Chute
Make/Shifted Cabin

Ebba Bohlin
Per-Oskar Leu
Kaia Hugin
Pica Pica

Gabriel Kvendseth
First We Take Mannahatta

Roger von Reybekiel
Do Everything Fantastic

— 2010

Michael Johansson

Tone Wolff Kalstad
This Color Is Everywhere

Knud Young Lunde
Road Show Event Plan

Alison Carey
Ivan Twohig
Benjamin Gaulon
On The In-Between

Mercedes Mühleisen
Øyvind Aspen
Birk Bjørlo
Damir Avdagic
Annette Stav Johanssen
If Everything Else Fails...

Ciara Scanlan
Matthew Nevin
An Instructional

Patrick Wagner
Nina Nowak
Samuel Seger Patricia Wagner
South of No North

Agnes Nedregaard Midskills
Patrick Coyle
Boogey Boys Santiago Mostyn
Bergen Biennale 2010 by Ytter

Lars Korff Lofthus
West Norwegian Pavilion

Serina Erfjord

Mattias Arvastsson
Presence No.5

Malin Lennström-Örtwall
It`s like Nothing Ever Happened

— 2009

Tor Navjord

Ragnhild Johansen
Erased Knot Painting

Entrée Radio

Lewis and Taggart
Ledsagende lydspor

In Conversation:
Gómez-Egaña and
Mathijs van Geest

In Conversation:
Andrew Amorim and
Mitch Speed

In Conversation:
Ane Graff and Alex Klein

In Conversation:
Martin Clark and Daniel Kelly

Ludo Sounds with
Tori Wrånes

In Conversation:
Stine Janvin Motland,
Kusum Normoyle,
Mette Rasmussen,
Cara Stewart

Randi Grov Berger
Other projects

August 21st   — October 3rd,  2021

Lisa Seebach
I’d Rather Be Rehearsing the Future

Lisa Seebach, I’d Rather Be Rehearsing the Future, installation view. All photos by Bent René Synnevåg.

Lisa Seebach at Entrée

The Great Anti_Utopia

Mad Max i keramikk
Av Tuva Mossin 

Lisa Seebach

Entrée is excited to kick start the autumn by presenting a new body of work by Lisa Seebach. The solo exhibition entitled I’d Rather Be Rehearsing the Future is an investigation into dystopian fantasies, into a world beyond the tipping point.

Seebach’s sculptural objects may perhaps resemble artifacts in an absurd archeology, as relicts of a future that has not yet taken place, disconcerting and daunting in their captivating darkness. Even so, the ambiguity contained in the sculptures contains a utopian core, like a silver shine from the abyss.

Lisa Seebach (b.1981, Cologne, Germany) is an artist with a focus on sculpture and large installations. Her metal and ceramic works appear like particularly fragile, enlarged drawings in space. Seebach studied Fine Art at the Braunschweig University of Arts in Germany.  She has since received several scholarships and awards, such as the Friedrich Vordemberge Grant of the city of Cologne, the Gustav-Weidanz Grant for Sculpture and a scholarship at the International Studio & Curatorial Program (ISCP) in New York. Solo exhibitions include When the Stage Turns Dark Tomorrow at Kunstverein Braunschweig, Villa Salve Hospes (DE); Phantom Spaces and Viscous Fictions at Kunsthalle Lingen (DE); How stars are just holes in the sky at Kunstmuseum Moritzburg Halle (Saale, DE); Soft Architecture at Meliksetian | Briggs Gallery (LA, US); Nothing ever touches at TURN Gallery (NY, US) and Sometimes night comes too quickly at artothek (Cologne, DE). Currently she is working on her upcoming exhibition for Rudolf-Scharpf-Galerie of Wilhelm-Hack-Museum in Ludwigshafen (DE).

The exhibition will be accompanied by the text The Great Anti_Utopia by Stefan Ewald in collaboration with Dennis Buchholtz.

/ Norsk /

Entrée starter høstprogrammet med å presenterer en serie nye arbeid av Lisa Seebach. I separatutstillingen titulert I'd Rather Be Rehearsing the Future blir vi invitert med ned i kunstnerens dystopiske fantasier, i en verden forbi bristepunktet.

Seebachs skulpturelle objekter vil kanskje minne om artefakter fra en absurd arkeologi, som relikvier i en fremtid som ennå ikke har funnet sted, de er både forvirrende og skremmende i sitt fengslende mørke. Likevel inneholder tvetydigheten i verkene en utopisk kjerne, som et sølvskinn fra avgrunnen.

Lisa Seebach (f. 1981, Köln, Tyskland) er en kunstner med fokus på skulptur og romlig installasjon. Hennes verk i keramikk og metall fremstår som spesielt skjøre, og ofte minimalistiske, som forstørrede tegninger i rommet. Seebach studerte kunst ved Braunschweig University of Arts i Tyskland. Hun har siden mottatt flere stipend og utmerkelser, som til eksempel Friedrich Vordemberge-stipendet fra Köln, Gustav-Weidanz-stipendet for Skulptur og et stipend ved International Studio & Curatorial Program (ISCP) i New York. Separatutstillinger inkluderer When the Stage Turns Dark Tomorrow ved Kunstverein Braunschweig, Villa Salve Hospes (DE); Phantom Spaces and Viscous Fictions ved Kunsthalle Lingen (DE); How stars are just holes in the sky ved Kunstmuseum Moritzburg Halle (Saale, DE); Soft Architecture ved Meliksetian | Briggs Gallery (LA, USA); Nothing ever touches ved TURN Gallery (NY, USA) og Sometimes night comes too quickly ved artothek (Köln, DE). For øyeblikket jobber hun med en kommende utstilling for Rudolf-Scharpf-Galerie ved Wilhelm-Hack-Museum i Ludwigshafen (DE).

Utstillingen blir ledsaget av teksten The Great Anti_Utopia av Stefan Ewald i samarbeid med Dennis Buchholtz.

Lisa Seebach, The End [One Two One Two This Is Just a Test] (2021) (reflective fabric, printed fabric, steel, chain, paint)

Lisa Seebach, Another Impossible World [Controlled on Earth by Remote Control]  (2021)
(glazed ceramics, steel, paint)

Lisa Seebach, I’d Rather Be Rehearsing the Future (2021)
(glazed ceramics, steel, paint, motor oil, lamp oil, wick)

Lisa Seebach, We Are Vampires, We Are Digital, We Are a Utopian Hideaway (2021)
( glazed ceramics, steel, paint)